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In her practitioner contribution, Manuella Blackburn presents an an exploration of how motherhood, and a new interest in domestic sound sources, inspired by prolonged time spent in the home during pregnancy and the early days of motherhood, changed her compositional practice.
In her practitioner contribution, composer Elizabeth Hoffman concludes Part I (‘The Classical Tradition’) with a searching consideration of how gender has affected her own career and how it continues to affect women within the academy.
In her practitioner contribution, Steph Power presents an an autoethnographic exploration of her own portfolio career, which combines work as a performer, composer, music examiner, and critic.
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