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The mythology of Scandinavia as the inspiration for a significant amount of Old Norse poetry, from pre-Christian times and on into the Christian period, is the subject of this chapter. It begins with a critical analysis of the main mythological poems in the first twenty leaves of the Codex Regius: Þrymskviða,Hymiskviða, Lokasenna, Skírnismál, Alvíssmál, Vafþrúðnismál, Hárbárðsljóð, Grímnismál, Völundarkviða and Hávamál, before moving on to consider Völuspá, the poem which opens the collection. The discussion then considers the ways in which mythological thinking also informs some of the poems in the so-called ‘heroic’ section, the Helgi poems, the Sigurðr poems, and poems such as Helreið Brynhildar. Eddic poems from outside the Codex Regius, such as Hyndluljóð, Baldrs draumar and Grottasöngr, are also discussed. Particular attention is paid to metre, poetic language and kennings, and mythological references in skaldic poetry are also described.
This chapter focuses on the heroic poems of the Poetic Edda. It begins by considering the date of the manuscript and the poems it contains, and goes on to offer a definition of the term ‘heroic’ in the context of eddic verse. There is an outline of the historical and legendary contexts of this poetry, and of the material in Völsunga saga, in which heroic poems are also preserved. Comparisons are made with heroic material in Das Nibelungenlied. The history of the Völsungs as narrated in the saga is recounted, and its relation to the individual heroic poems in the Edda explained. Hlöðskviða, or ‘The Battle of the Goths and Huns’, is also discussed, and the chapter moves on to more eddic-style poems set in Viking Age Scandinavia and preserved in fornaldarsögur, some as broadly whole poems, such as ‘The Waking of Angantyr’ or ‘The Riddles of Gestumblindi’, and others as sequences of verse dialogue dramatizing a particular moment in a hero’s life, such as the verses in Ketils saga hængs. The chapter ends with a discussion of summative poems which mark a hero’s end, pre-eminently ‘Hjálmarr’s Death Song’ in Hervarar saga ok Heiðreks.
A landmark new history of Old Norse-Icelandic literature, this volume is a comprehensive, up-to-date guide to a unique and celebrated body of medieval writing. Chapters by internationally recognized experts offer the latest in-depth analysis of every significant genre and group of texts in the corpus, including sagas and skaldic verse, romances and saints' lives, myths and histories, laws and learned literature. Together, they provide a scholarly, readable and accessible overview of the whole field. Innovatively organized by the chronology and geography of the texts' settings – which stretch from mythic history to medieval Iceland, from Vinland to Byzantium – they reveal the interconnectedness of diverse genres encompassing verse and prose, translations and original works, Christian and pre-Christian literature, fiction and non-fiction. This is the ideal volume for specialists, students and general readers who want a fresh and authoritative guide to the literature of medieval Iceland and Norway.
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