In order to reappraise discourses on the restitution vs. retention of Africa’s cultural heritage, Eyssette examines the Musée du Quai Branly (France), the AfricaMuseum (Belgium), the British Museum (UK), and the Humboldt Forum (Germany) as one representative spectrum for analysis showing the mutual imbrications of their changing strategies and practices. After detecting biases in retentionist arguments on security, accessibility, law, and ethics, Eyssette stresses symmetrical shortcomings in restitutionist discourses on provenance research and the instrumentalization of heritage for economic gains or post-colonial rebranding. The conclusion determines whether these four institutions are retentionists, rhetorical restitutionists, or truly reformed restitutionists.
