This paper discusses the relationship between art, perception and human engagement with the environment in Minoan Crete through the depiction of landscapes and the ‘natural world’ in art. It is argued that the conventional approaches to Minoan ‘nature scenes’, based on the representation and expression theories of art, are overshadowed by modernist assumptions about art and human–environment relations. The paper then proceeds to discuss the workings of visual perception and the dynamics of human–environment systems. On that basis, the nature of human–environment relations in Minoan Crete is reconsidered and an ‘ecological’ approach to ancient art explored. A tentative suggestion is made that Minoan nature scenes might be understood as instruments for perceiving and knowing the environment, and some broader implications of the ecological perspective for the interpretation of the archaeological record of Minoan Crete are indicated.

The relationship between economic power and political centralization during the First and Second Palace Periods of Bronze Age Crete is a topical theme in Aegean studies. Here, two scholars argue the case for continuity in the economic base of palatial political authority.