We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
In this volume, Gabriel Zuchtriegel revisits the idea of Doric architecture as the paradigm of architectural and artistic evolutionism. Bringing together old and new archaeological data, some for the first time, he posits that Doric architecture has little to do with a wood-to-stone evolution. Rather, he argues, it originated in tandem with a disruptive shift in urbanism, land use, and colonization in Archaic Greece. Zuchtriegel presents momentous architectural change as part of a broader transformation that involved religion, politics, economics, and philosophy. As Greek elites colonized, explored, and mapped the Mediterranean, they sought a new home for the gods in the changing landscapes of the sixth-century BC Greek world. Doric architecture provided an answer to this challenge, as becomes evident from parallel developments in architecture, art, land division, urban planning, athletics, warfare, and cosmology. Building on recent developments in geography, gender, and postcolonial studies, this volume offers a radically new interpretation of architecture and society in Archaic Greece.
The fourth chapter is focused on reconfigurations of cosmography within the expanding, contested archive of the Classical period. It looks at successive rewritings of Hyperborea in the changing epistemological landscape of different Classical genres. The stakes at play in identifying Hyperborea as an object of knowledge are considered from the perspective of the great upheavals in the cultures of wisdom of the Classical city. This chapter is interested in situating Classical rewritings of Hyperborea within the ongoing effort of scholarship to move away from the old evolutionary ‘From Myth to Reason’ narrative. A first section looks at cosmographical usages of the distant North in Attic tragedy. The second section reconsiders the question of Xenophanes' reception of Aristeas of Proconnesus. The monumentalisation of Aristeas in the agora of early-fifth century BCE Metapontum is the focus of the third section, with a review of the evidence for Pythagorean appropriations of Hyperborea in southern Italy, and the early circulation of the Abaris legend. The fourth section deals with some usages of Hyperborea in early prose. This opens the way for the final section, which looks anew at the cosmography at stake in Herodotus' extensive deconstruction of Hyperborea in Book 4 of the Histories.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.