Many midcentury continental philosophers, most notably Martin Heidegger (1889--1976), were skeptical about and critical of using technology to mediate human activities. Telephones and computers not only simplify communication, they transform communication (and humans along with it). Postphenomenology is an emerging qualitative research group that examines the transformation of humans by technology. Led by the American philosopher Don Idhe, postphenomenologists maintain that this change is neither bad nor good. Martin Heidegger, however, around whom new and exciting healthcare research is being done, would disagree. There is no discovery without a simultaneous covering. The authors examine whether something of importance is, indeed, covered up when qualitative researchers rely on technology. A three-year international qualitative study on PTSD with active-duty military, which relied heavily on technology, is used to examine the strengths and weaknesses of combining technology with phenomenological healthcare research.

This essay traces a tradition of what is here called ‘deathwriting’ as it stretches from Emily Dickinson, to Franz Kafka, to Samuel Beckett, to Cormac McCarthy. The work of all these writers, the essay argues, is driven by the urge to give a poetic form to the experience of death, to make death thinkable and narratable. Alongside this tradition of deathwriting, and interwoven with it, one can discern too, a fascination with ‘blind seeing’, an attempt to make darkness visible, or to overcome the distinction between the light and the dark, the visible and the invisible. In reading the connection between deathwriting and blind seeing as it runs from Dickinson to the contemporary, the essay argues that these writers allow us to glimpse a differently constituted relationship between the living and the dead, and between the perceptible and the imperceptible. At a contemporary moment when it has become urgent to rethink our apparatuses for world picturing, with the emergence of the Anthropocene as a critical context for all of our imaginings, the essay offers this history of deathwriting as a radically different way of seeing, without the aid of human light.

This chapter explores the connections between ethics, the phenomenological (and hermeneutical) traditions, and education. It focuses on the idea of the subject, showing phenomenology’s contrast with the modernist picture of the autonomous subject. The chapter first briefly traces the idea of the subject in phenomenology through four representative figures – Husserl, Heidegger, Gadamer, and Levinas – and then sketches their approaches to ethics. Then it pivots to four ethical concepts in philosophy of education in this tradition – understanding, risk, subjectification, and responsibility – by connecting them to phenomenological tradition’s broad conception of the subject. The chapter brings into relief the contribution phenomenology makes to envisioning living well together and human flourishing, and education’s role in fostering ethical subjects that would enact such societies.

This chapter uses Heidegger’s and Arendt’s joint reading in 1925 of Thomas Mann’s novel The Magic Mountain (1924) to argue that Heidegger’s lived literary practice in the 1920s does not match the invocations of poetic specialness that the philosopher theorizes from the mid 1930s onwards. Drawing on Heidegger’s letters to Arendt, as well as on the lecture courses from the mid 1920s which Heidegger used to clarify the arguments that became Being and Time, the chapter reconstructs Heidegger’s response to Mann’s novel. The episode suggests a counterfactual alternative mode of Heideggerian literary reading. Mann’s novel, as a model to think with, emphasizes the exchange with others and the competing discourses that resist grounding in a more fundamental viewpoint, such as the phenomenological ontology of the early Heidegger or the “thinking” of the later Heidegger. At the same time, the reading of Mann allows us to re-contextualize Heidegger’s engagement with his scientific and philosophical contemporaries, such as Einstein, Bergson, and Russell.

After an introductory discussion about Mann’s and Heidegger’s direct comments about each other, I explore how Mann and Heidegger are situated with regard to what has been called conservative revolution. Mann not only helped to gain currency for the concept of conservative revolution, but he also defended it against what he considered its right-wing and/or fascist spoilers, before eventually providing a thorough criticism of it in his Doctor Faustus. Heidegger’s recently published Black Notebooks show that in the 1930s and 1940s his thought veered towards the direction of conservative revolution, as described in Mann’s novel. To complement the understanding of conservative revolution, I also draw on Hugo von Hofmannsthal’s seminal speech from 1927, which helps to determine how much Heidegger’s philosophy partakes of the spirit of conservative revolution in Germany.

This is the first of three chapters to unpack Baeck’s confrontation with the rise of Nazism. It details the Nazi ideology as grounded in race and space, and the idea of a national community (Volksgemeinschaft) in which the Jews had no place. Baeck needed to respond to it as a thinker and community leader, having been chosen to lead the efforts of the Central Association of Jews in Germany. His political activities and writings show an insistence on Judaism’s lasting value, for Jews and the world. The chapter offers a close reading of a pastoral letter Baeck sent for Yom Kippur, the Day of Atonement, which in 1935 fell shortly after Nuremberg Laws. In his search for explanations of antisemitism in the mid-1930, Baeck returned to earlier ideas of Jewish existence as precarious, turning to surprising sources such as Martin Heidegger, at the time already affiliated with the Nazi party, and Karl Barth’s commentary on the scene of the crucifixion in Matthias Grünewald’s magnificent Isenheim altar.

In the past, architectural change in Archaic Greece was often explained as a somehow natural, coherent evolution from “primitive” wooden structures to sophisticated stone temples. Following the ancient writer Vitruvius, modern authors have attempted to demonstrate that the architectural orders, in particular the Doric, can be traced back to functional necessities typical of wooden buildings. While this explanation of the Doric order has long been questioned, few attempts have been made to explore alternative explanations. The chapter lays out a methodology to analyze architectural change by asking how the experience of sacred spaces and landscapes changed and who were the social groups interested in promoting such change. The chapter highlights the kinetic and multisensorial dimension of the experience of space and architecture, as stressed also by authors from other fields. Further, a survey of recent contributions to the study of the Doric and Ionic orders suggests that they emerged suddenly in the early sixth century BC, rather than evolving slowly over centuries. The emergence of the Doric order went hand in hand with the emergence of architectural sculpture on pediments and friezes. By looking at a series of case studies the book aims to shed light on the relation between the various transformation processes.

The Irish Literary Revival at the turn of the twentieth century was heavily invested in the value of orature, characteristically associated with peasant culture as the living remnant of pre-modern society, which is typically seen as being on the verge of its final disappearance. Focusing on Augusta Gregory and W. B. Yeats, this essay resituates the relationship between orature and modernity in Irish culture in the context of technology, noting that the Revival coincides exactly with the period – from the late 1880s to the early 1920s – that saw the emergence of key technologies of sound: the telephone, the gramophone/phonograph, and later radio. A key concept here is the idea of over-lapping histories of technology; running alongside histories of technological innovation, political economy, and social change is a hidden history of technologies of sound as the ghost of oral culture, imbricated in some of the same literary narratives that memorialise the pre-modern.

In Chapter 8 I examine Lacoste's study of affective experience and consider the possibility that God might be recognised in the affect as an event. For Lacoste, God’s presence to affection takes place in moods rather than feelings. The recognition that God has passed in experience is always subject to self-deception and must be tested against the tradition of the believing community. Revelation and truth are connected by means of Augustine's reversal: when it comes to God, we do not love what we first know but know what we first love. This attends to the paradox that occurs in the reception of phenomena appearing only to freedom – paradoxical phenomena appear as credible rather than indubitable and are open to acceptance or rejection. For Lacoste, such phenomenality ‘cannot be perceived without our decision to see it’ and begins in ‘an experience formed in the element of non-self-evidence’. It arouses love; it is the experience of love that first draws the 'believer'. Revelation touches experience in an encounter that is felt before it is known. Prepredicative, signifying by way of moods rather than feelings, the revelatory encounter is primarily relational rather than doctrinal.

In Chapter 6, I introduce hermeneutic phenomenology as a philosophical method relating to the description and interpretative analysis of experience. French phenomenology has become a dialogue partner for theology and religion because of its capacity to accommodate what might be given without appearing as such. For Marion, this opens the possibility of recognising phenomena that signify in excess of or counter to experience, including phenomena of r/Revelation. After sketching Marion's typology of saturated phenomena and considering some of the criticism that has emerged in response, I observe his deepening insight that the phenomenality of the event characterises each of the counter-experiences he describes, and so has a particular importance. If what exceeds intentionality is described in terms of the event rather than as a phenomenon of revelation, we avoid the difficulties of the r/Revelation distinction that Marion draws, and decrease the sense that revelation is being smuggled into phenomenology. I also note that the event is a figure used more broadly in contemporary thought and so enables us to connect Marion’s work with that of others in potentially fruitful dialogue.

Alexis de Tocqueville is often described as a critic of American culture and modern democracy. Yet, as Alan Levine argues, there is an important difference between Tocqueville’s friendly criticisms of parts of American culture he finds wanting and other ideological critiques by “anti-American” thinkers such as Martin Heidegger and the Frankfurt School. Several factors separate Tocqueville from this European tradition of “Anti-Americanism.” Tocqueville’s criticisms are balanced by an appreciation of the virtues of American democracy and a recognition that these defects are hardly unique to America. His criticisms also take their root in empirical considerations of the complexities of American culture. Although the Frankfurt School and other influential critics often claim Tocqueville as inspiration for their complaints about mass society, they are ideologically motivated, ignore America’s redeeming virtues, and fault America uniquely for widely shared flaws of modernity.

Rounding out the previous chapter’s treatment of Victorian narrative with the early modernist prose of Henry James, analysis returns to the ontology of language in Agamben, leading on to a more philologically oriented history of prose – pivoted on the Enlightenment rise of the “plain style” – in research by John Guillory. Such is a mode of discourse whose potential stranglehold on future developments in literary writing is contrasted with a recovered premium on the densities of rhythm and sonority. Literary examples extend from Whitman’s insurgent lexical poetics, through D. H. Lawrence’s grammatically impacted style, to the stripped-down phrasal ironies of Kazuo Ishiguro – before returning to Friedrich Kittler on the ideologies of speech as medium in the post-Enlightenment century. Discussion closes with an adapted Heideggerian model for the present-at-handness of language itself in medial disclosure – rather than just in scriptive use.

Does the idea that a text might express God’s will make any sense in the modern world? Modern Jewish theology, in part under the impetus of modern biblical criticism, has overwhelmingly moved toward a view of God as beyond speech, and of the Torah, correspondingly, as the record of various human beings’ attempts to figure out what God might want of them, rather than a divine intervention into human affairs. If any human/divine encounter lies behind the Torah, it is thought, that encounter can be conceived only as a silent, ineffable I-Thou moment. The Torah cannot literally be God’s word; that is at best a rough metaphor.

This essay attempts to bring out the motivations for the above view and then, wholly, to upend it — from a perspective as committed to the accuracy of modern Biblical criticism, and to a progressive understanding of God and halacha, as that of those who uphold it. Maimonides says that we should see every verse and every letter of the Torah as “contain[ing] within it wisdom and wonders to whomever the Lord has granted the wisdom to discern it” — as, in a robust sense, divine. “In Defense of Verbal Revelation” recuperates a modern, progressive version of Maimonides’ view.

This chapter argues for a shift in perspective from Max Weber's theory of value to a theory of worldliness, one drawn from the thought of Martin Heidegger and Hannah Arendt. Worldliness points to how our involvement in the everyday world is never reducible to technical calculation. The chapter uses this idea to illuminate the relationship between democratic action and the welfare state. Technical calculation, which strives to treat subjects as objects, is mediated by a material world that constitutes a space of collective, non-technical judgments. Welfare institutions, then, are both mechanisms of technical control and worldly objects that form the potential context for political judgment and mobilization. Heidegger and Arendt's analysis of worldliness provides theoretical tools for envisioning the welfare state as a site of democratic mobilization and participation-a perspective embodied in the response of the German workers' movement to Bismarck's reforms. The chapter concludes by examining this response, reconstructing the distinctive socialist vision of social reform.

Chapter One studies how Rome figures in the murky processes by which individuals settled their relation to the world. In the process, it establishes something of the range of conditions under which medieval and early modern writers negotiated their own absorption into the matter of Rome. The chapter pursues at length medieval and early modern habits of attending not so much to the wonders of Rome, but rather to all that is most ordinary, obvious (in the word’s etymological reference to that which is encountered ‘in the way’), and ubiquitous in what Rome left in its wake when it relinquished its formal, administrative hold on the provinces of Britannia. These preoccupations open onto a wide span of time: from the middle of the sixth to the middle of the seventeenth century. The texts and problems that dominate the chapter range from Gildas andBede to Sir Thomas Browne in the late seventeenth century.