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2 results

Nietzsche's Revaluation of All Values

Nietzsche's Revaluation of All Values
  • Thomas H. Brobjer
  • Published online:
    03 December 2024
    Print publication:
    02 January 2025
    • Element
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  • Why is Nietzsche's thought and philosophy still regarded as relevant today? There are a large number of possible answers to a question like this, but one of the most important and persuasive is that Nietzsche questioned and discussed the nature, character and value of our values. Nietzsche frequently turns other questions such as epistemological and ontological ones into axiological ones, making values pivotal in his thought. It is possible to argue that the revaluation of all values is both the most important and today the most relevant of Nietzsche's main philosophical themes and projects. Furthermore, the theme is intimately involved with what Nietzsche regarded as his most important work, his magnum opus (that he called his Hauptwerk), for a long period called The Will to Power but later Revaluation of All Values.

  • Chapter 5 - Walter Scott and Historical Caricatures

  • from Part II - Novel Caricatures
  • Olivia Ferguson
  • Book:
    Caricature and Realism in the Romantic Novel
    Published online:
    19 October 2023
    Print publication:
    02 November 2023, pp 126-168

  • Summary

    The fifth chapter explores how concepts of caricature interacted with historical romance in the critical reception and writing of Walter Scott’s characters. I explore Scott’s association of pictorial caricature with accuracy, particularity and referentiality, looking in particular at The Heart of Mid-Lothian and Guy Mannering, and suggesting the implications of John Kay’s caricatures for Scott’s ’compendious realism’. Scott’s defences of historical ’caricature’ – in his essay on Tobias Smollett and in the Magnum Opus edition of The Monastery – are a counterpoint to the anti-caricature rhetoric used to disparage his novels. Returning to the realist device of the ’explained caricature’, I differentiate national caricatures of the Scots and Jewish ’body-corporate’ in Rob Roy, The Heart of Mid-Lothian and Ivanhoe.