Wright’s literary career was encouraged by the Communist Party-sponsored John Reed Club and nurtured within the proletarian literary movement whose writers were committed to representing class inequality and warfare from the standpoint of the eventual triumph of the proletariat. Like many other proletarian writers, his fiction is, therefore, strongly influenced by the philosophy of dialectical materialism popular within the Communist movement. Wright’s fiction, notably Uncle Tom’s Children and Native Son, powerfully synthesizes a dialectical perspective with literary realist and naturalist representational techniques, although he also experimented with avant-garde literary techniques he associated with the likes of James Joyce and Gertrude Stein, as evident in Lawd Today! His fiction depicts the ways in which his mostly poor, working-class black characters suffer intensely from the class system of capitalism and the racism it engenders. It also depicts the inherent potentials within his characters’ lives to transcend ideologically and materially the inimical social system at the root of their suffering.