Moving to Edinburgh from Glasgow to study medicine at the age of 17. A brief description of teaching methods as they were then. My experience of psychiatry as a medical student, and a discussion of self-harm. Met my future husband, who was to spend a lot of his life as an agricultural economist, working in Mexico.

The Conclusion draws together the themes of the book, and expands on how the foregoing discussions of art relate to ordinary life and love. Expanding the categories of ‘finding’ and ‘making’ by that of ‘receiving’, it sketches a constructive vision of the theological imagination.

This chapter examines the action of breach of promise of marriage to show its relationships with deception. It outlines how a broken promise of marriage, which could always imply deception regarding intention to keep the promise, attracted damages and highlights how known deception constituted an aggravation. The chapter also demonstrates how deception about certain features of oneself or one’s circumstances could justify a fiancé(e)’s decision to break a promise of marriage. Beyond these points, the chapter shows how conventions about relationships shaped the processes by which promises of marriage could be inferred or imputed, and it explores the links between actions of breach of promise of marriage and changing expectations of marriage, including the expectation that it should be based on real love. Through this process, the chapter offers an original argument about the decline of breach of promise at marriage which reveals its changing relationship to deception. The chapter concludes with some reflections on what actions of breach of promise suggest about the capacity of law to regulate promises and statements of future intention, as they relate to intimacy, in a contemporary context.

Migration destabilized family life, gender, and sexuality. Whereas most Turkish guest workers traveled alone during the formal recruitment period (1961–1973), West Germany’s subsequent policy of family reunification sparked the increased migration of spouses and children. This chapter shows that, although migrants developed strategies to maintain connections to home, separation anxieties and fears of abandonment loomed. The departure of able-bodied young workers strained local economies, upended gender roles, and separated loved ones, sparking tensions at home: were guest workers sending enough money home, communicating enough, and remaining faithful to spouses? In Germany, reports about sex between male guest workers and German women fueled Orientalist tropes about “foreigners,” perpetuated stereotypes about Turkish men’s propensity toward violence, and stoked fears about the transgression of national and racial borders. Women left behind worried that their husbands would commit adultery while abroad. Guest workers’ children were viewed simultaneously as victims and threats: some stayed behind in Turkey, others were brought to Germany, and thousands of “suitcase children” (Kofferkinder) repeatedly moved back and forth between the two countries with their bags perpetually packed. As physical estrangement evolved into emotional estrangement, the perceived abandonment of the family came to represent the abandonment of the nation.

At the close of Proust’s A La recherche, Marcel reflects on his late discovery that there is within him a ‘vast dimension’ of lost time, composed of moments that ‘still adhered to me and that I could still find again, merely by descending to a greater depth within myself’. The vehicle through which he is to achieve that descent, he thinks to himself, is the novel itself, the novel he is now to write.

A la recherche is, for this reason, a novel which demands to be reread, a novel which reveals the structural necessity of rereading that inhabits all acts of being in time. This essay responds to this demand, and this necessity, by reading Proust’s novel as an exercise in rereading. The epiphanic close to the novel rests on the conviction that there will come a form of writing, and a form of reading, that might absorb lost time into itself, and in so doing stage a recovery of a spent past, and of a spent life. But in calling in this way for its own repetition, the novel can only live, again, through the loss that it seeks to overcome. This inescapable play between recovery and loss, though, does not constitute a failure of the hope that the novel seems, on each reading, to rediscover. Rather, in inserting a logic of rereading into its own expressive mechanism, the novel becomes a scale for weighing those elements of time that are recoverable against those that are not. It allows us to see the novel as a differential machine, that can find the junction, in the contemporary moment of reading, between that which can be saved and that which cannot – the junction that is the horizon, in our own time, of literary, political and personal possibility.

The Epilogue offers some concluding remarks while explaining why later Jacobean and Caroline plays are excluded from this study. In the process, it offers a brief consideration of Beaumont and Fletcher’s Cupid’s Revenge.

Chapter 5 concludes the book with an analysis of the Maieutic section of the dialogue. It heralds a new beginning in the conversation, in which Socrates, having received at last Alcibiades’ full allegiance in question and answer, finally reveals to him his own being so as to secure commitment to a love that strives to grasp the totality of all that is, the highest expression of which is none other than the contemplative life. Self-knowing emerges as the zealous pursuit of the ultimate desideratum in the philosophical life, a striving that is akin to self-cultivation. Reason heals the soul, collecting it out of its opinionative and passionate dispersion, only to recognize, in the end, its synthetic activity is done in light of a higher grade of reality that transcends it, a reality in which it finally longs to participate; it yearns to become intellect.

Chapter 33 analyses the challenges to normative definitions of family, gender and love posed by Goethe’s works. In Goethe’s time, such norms were a crucial factor in what Michel Foucault has called the ‘mechanisms of power’. The chapter demonstrates that Goethe defied conventions through his depiction of desire: there are many examples of same-sex attraction in his work, and desire is often also portrayed as fluid, shifting and non-exclusive. Further, the chapter highlights the importance of adoptive relations, which Goethe presents as being of the same order of validity as biological connections.

The Cambridge Platonists’ philosophy of religion might be summed up as a tension between their commitment to the fixed nature of reason and goodness on the one hand and a commitment to freedom and distaste for all forms of tyranny and imposition on the other. This last chapter contends that the Cambridge Platonists not only acknowledge this tension, but embrace it, revelling in the paradoxical way that absolute fixedness and absolute freedom come together at the highest levels of being. This is made possible by what Stephen Darwall (writing specifically of Cudworth) has identified as an early theory of ‘practical reason’. This Platonic theory of practical reason draws together all the elements of the Cambridge Platonists’ outlook considered in earlier chapters – moral realism, divine communicative intent, and participatory epistemology, illustrating the extent to which this Platonic outlook binds together not only the thought of Whichcote, More, Cudworth and Smith but also runs through each of their views on different philosophical topics such as obligation, freedom and pedagogy.

This chapter explores race and sexuality in three parts. After a preamble that explores uses and definitions of race both historically and by historians, the first part examines representations of race and sexuality in relation to the politics of race and sexuality, via such historical figures as Sarah Baartman, Josephine Baker, and Jane Nardal. The second part considers administrative and legal policies as well as forms of social control that were used to control sexuality along the colour line, with references to Cleopatra, legal codes such as the Code Noir, the Scottsboro affair, sex work, and sex talk in the Americas, West Africa, Europe, and Southeast Asia. The third part considers a newer trend towards exploring the influences of love, family, community, and kinship networks upon discussions and experiences of sexuality and race, via examples such as the Signares of Senegal or the ballroom houses of Harlem. One of the points of this chapter is to show how histories of empires, and those of encounters between the Global North and the Global South, were also histories of sex and race.

Histories of both emotion and sexuality explore the ways that bodies and embodied practices are shaped by time, culture, and location. This chapter uses the theoretical and methodological insights from the History of Emotions to consider the emotions associated with sexuality and how these have taken cultural form at different moments. It first considers the emotions related to sexual function and desire, noting how different biological models informed what emotions were expected and experienced. It then turns to love as the predominant emotion connected with sexual practices, considering the boundaries of who and what should be incorporated within such feeling. The chapter then turns to an exploration of the emotions, particularly intimacy, of reproductive labour, acknowledging sexual practices, including those are contractual and exploitative, that sometimes sit uneasily within a framework of love. Finally, the chapter highlights some of the emotions produced by the management and policing of sexuality, such as shame and loneliness, recognising that sexuality has been a contested moral domain for many groups. Using diverse examples across time and space, this chapter seeks to denaturalise the emotions of sexuality and to provide a framework upon which further research can build.

Chapter 4 focuses on the dynamics whereby God rejects Saul as king, including the pressures on Saul, the mistakes he makes, the way David emerges on the scene as Saul’s potential replacement, and the relationships and dynamics in the royal family.