This chapter examines Clare’s place among the poets in his own lifetime and more recently. The first section considers his appeal to recent and contemporary poets such as Heaney and Paulin. It argues that they have been inspired by Clare’s commitment to the local and provincial, especially his use of local vernacular, and also by his aesthetic of the uncouth and rebarbative, which also influenced Thomas. It goes on to explore how Clare’s close sensory attention to the natural world influenced Thomas, Longley, Oswald, and Jamie.  The second section argues that Clare’s poetry developed in conversation with his wide reading. It focuses on a number of examples, including Collins, Cowper, and Thomson. Reading these poets alongside and through Clare we see new features of their writing emerge, giving us a richer, more dynamic sense of eighteenth-century verse, and of Clare’s poetry.

This chapter presents latent nuclear deterrence theory. It explains how it is possible to gain international leverage from a nuclear program if countries do not have nuclear weapons.

Following its explosive debut in October 1817, Blackwood’s Edinburgh Magazine reached the heights of its notoriety in the following four years, and while it moderated its ferocity as the 1820s progressed, it continued to exert a powerful influence on British political, literary, and popular culture. Its early assaults on poets such as Percy Shelley and Lord Byron typically combined truculence with insight, and in the early 1830s it took the same approach to the poetry of Alfred Tennyson. Most notably, Blackwood’s writers like John Wilson, William Maginn, and Samuel Warren produced innovative terror fiction that rejected the ominous suggestions and careful evocations of ‘atmosphere’ in the late eighteenth-century Gothic in favour of the precision and the more direct realism of chapbooks, broadsheets, ‘true crime’ narratives, and newspaper accounts of executions, murders, and suicides. These fictions inspired Edgar Allan Poe, Charles Dickens, Robert Browning, and the three Brontë sisters, all of whom emulated and transformed the Blackwood’s tale of terror.

Multiple linear regression generalizes straight line regression to allow multiple explanatory (or predictor) variables, in this chapter under the normal errors assumption. The focus may be on accurate prediction. Or it may, alternatively or additionally, be on the regression coefficients themselves. Simplistic interpretations of coefficients can be grossly misleading. Later chapters elaborate on the ideas and methods developed in this chapter, applying them in new contexts. The attaching of causal interpretations to model coefficients must be justified both by reference to subject area knowledge and by careful checks to ensure that they are not artefacts of the correlation structure. There is attention to regression diagnostics, to assessment, and comparison of models. Variable selection strategies can readily over-fit. Hence the importance of training/test approaches and cross-validation. The potential is demonstrated for errors in x to seriously bias regression coefficients. Strong multicollinearity leads to large variance inflation factors.

This chapter is intended to invite composers at an earlier stage in their career to think about what their unique musical voice is, and how that might be influenced by the art and ideas existing around them. It concludes with some practical advice to help inspire composers to develop an understanding of what is most special about their musical instinct, imagination, and creativity.

This introduction briefly explores the relationship between compositional choice and stylistic expectation or ideology. With new music now a plethora of styles and approaches, how might we understand work that’s happening currently in the context of historical and social influence?

Serving as the editorial introduction to the Cambridge Companion to William Morris, this chapter offers a broad outline of Morris’s life, emphasizing the historical and cultural factors that informed his artistic philosophy and wide-ranging output. The contours of Morris’s critical reception, past and present, are also sketched, and brought into dialogue with the chapters collected here. The first part of the discussion considers ‘The Making of Morris’: that is, the complex nexus of influences and events that enabled him to make a distinctive and enduring contribution in so many fields. Much of this discussion is biographical, but it also considers spatial and geographical ways of understanding the shape of his life. The second part is entitled ‘Morris Making Us’,. It proposes ways in which Morris’s influence continues to condition and enable our ways of thinking as inheritors of his legacy.

As an undergraduate Morris was enthralled to read the work of John Ruskin, especially The Stones of Venice (1851–53). This book would profoundly influence Morris’s thinking for the rest of his life. The Kelmscott Press would publish a chapter from it – ‘The Nature of Gothic’ – in 1892. Morris developed Ruskin’s argument that the Gothic craftsman of the Middle Ages achieved pleasure in his work as a result of creative freedom and collaborative effort denied him by the factory system of industrial capitalism. Although Ruskin’s values were deeply rooted in Toryism and Christian morality, Morris accommodated Ruskin’s ideas and simultaneously embraced socialism. In 1883, Morris told an audience in the hall of University College, Oxford that he was ‘a member of a socialist propaganda’. Ruskin, seated on the platform throughout the lecture, reportedly rose at the end to praise Morris as ‘the great conceiver and doer, the man at once a poet, an artist, and a workman, and his old and dear friend’. This chapter describes the nature of the relationship between Morris and Ruskin and considers the significance, extent and limitations of his influence.

Chapter 5 examines the BJP’s attempt to build centres of elite, traditional intellectuals to legitimise its identity politics. While dismantling advisory committees, quashing dissent, and attacking universities and established research institutions, the BJP has built think tanks to bring together stakeholders in government and civil society and give its political ideology a footprint in already established policy networks. Some scholars have characterised the BJP’s think tanks as institutions of ‘soft Hindutva’ (see Anderson 2015), that is, organisations that avoid overt association with the BJP and Hindu-nationalist linkages but pursue a diffuse Hindutva agenda nevertheless. Through an ethnographic study of the BJP’s two most prominent think tanks, this chapter demonstrates how manifestations of Hindutva can be both explicitly political and anti-political at the same time: advocating for political interventionism while eschewing politics and forging an apolitical route towards cultural transformation.

Bernstein’s relationship with Aaron Copland was one of the most significant of his life. Starting with their first meeting in 1937, this chapter considers Copland’s musical influence on Bernstein as an emerging composer and the support and opportunities Copland provided during Bernstein’s formative years. It then goes on to explore the importance of Bernstein’s Copland advocacy on the conducting podium, with reference to major commissions, concerts, and recordings. Drawing on both their public and private comments and correspondence, the changing nature of their relationship and views on each other’s activities are traced, resulting in a shared portrait of more than five decades of friendship and musical connections.

Using a dynamic version of the principal–agent model this chapter develops a theoretical framework for an international bureaucracy’s influence on the delegation of responsibilities by the organization’s member states. It argues that this influence is reinforced by external resource flows that both directly and indirectly strengthen the role of the bureaucracy. The chapter uses the case of the United Nations Framework Convention on Climate Change to test the hypotheses since its major resource flows have been driven solely by a private market for emissions credits, the Clean Development Mechanism (CDM). Between 2006 and 2013 when CDM revenues formed a significant share of the secretariat’s budget, rule-setting was increasingly dominated by the secretariat. When the crash of prices for CDM credits from 2012 onward reduced the secretariat’s revenues and projects to assess, secretariat-led rule-setting intensified. This approach was used to “buy time” in which secretariat leaders were hoping for a recovery of the CDM market. But when this recovery did not materialize, the secretariat started to lay off support staff and implicitly tried to reorient CDM resources for support of the Paris Agreement negotiations and implementation of national mitigation action.

Focusing on three initiatives of the United Nations Framework Convention on Climate Change (UNFCCC) Secretariat – the Momentum for Change Initiative, the Lima–Paris Action Agenda, and the Non-state Actor Zone for Climate Action – this chapter studies how an international environmental bureaucracy can evolve from a low-key and servant-like secretariat to an actor in its own right. It argues that international environmental secretariats increasingly take on the role of an orchestrator that seeks to shape policy outcomes through changing the behavior of others. Using orchestration as a conceptual lens, the chapter identifies new types of influence of international bureaucracies. The forms of influence that the UNFCCC Secretariat exerts include in particular (i) awareness-raising, (ii) norm-building, and (iii) mobilization. This new way of how soft power is deployed underscores the increasingly proactive role of the UNFCCC Secretariat. The chapter concludes that the UNFCCC Secretariat is currently “loosening its straitjacket” by gradually expanding its original mandate and spectrum of activity. It is no longer a passive bystander but has adopted new roles and functions in the global endeavor to cope with climate change.

This concluding chapter summarizes key findings of the chapters in this book and relates them to the seminal work Managers of Global Change: The Influence of International Environmental Bureaucracies by Frank Biermann and Bernd Siebenhüner. The chapter highlights changes in the strategies and causal mechanisms of international public administration influence in the environmental field and in the analytic concepts used to study international bureaucracies. It concludes by outlining the contours of future research in this still expanding academic field.

This chapter reviews the most recent advances in the scholarly literature on international environmental bureaucracies and relates it to the long and fruitful research agenda on international public administrations (IPAs). In the first section, IPAs are defined and distinguished from the wider international organizations or treaty systems that they are an integral part of. The next section addresses the question of whether and how IPAs should be expected to matter in global environmental governance. It then presents selected empirical studies that find IPAs to have had an autonomous, discernible influence on international policy processes and outputs. The last section identifies the most relevant determinants and causal mechanisms of IPA influence and shows how the chapters in the book contribute to this continuously evolving research agenda.

Over the last two decades, the international community has increasingly turned its attention towards the phenomenon of human trafficking. While the majority of States have adopted legislation criminalising trafficking, and many also passed legislation aimed at protecting trafficked persons, compliance with international and domestic standards is often questioned. This chapter explores processes before, and decisions by, judicial, quasi-judicial and specialised non-judicial bodies as determinants of anti-trafficking efforts – understood as factors shaping governments’ anti-trafficking efforts and influencing compliance with and implementation of international standards. Deploying a comparative approach and building on the results of a large-scale project exploring the determinants of anti-trafficking efforts globally, this chapter evaluates four case studies (Argentina, Brazil, Cyprus and the United Kingdom). It outlines how judicial, quasi-judicial and specialised non-judicial bodies’ role is perceived by anti-trafficking stakeholders, and how these mechanisms interact with other determinants in influencing anti-trafficking efforts at the domestic level.

Bartels reviews recent research on political inequality, with particular emphasis on the grounding of empirical analyses in democratic theory. He distinguishes two types of inequality – of policy congruence and of influence – and surveys a variety of conceptual and methodological challenges arising in attempts to measure them. Congruence is the extent of agreement between citizens’ preferences and politicians’ choices, and assessing it requires careful calibration on both sides. Influence is the causal impact of citizens’ preferences on politicians’ choices, and assessing it raises much the same plethora of challenges involved in any complex causal inference. While research based upon these concepts is at an embryonic stage, studies in a variety of countries employing a variety of research designs suggest that inequality of influence is common and substantial, while inequality in congruence is generally more modest – a situation sometimes characterized as “democracy by coincidence.”

The complicated relationship between American and European cultural production, particularly in the nineteenth century, is the subject of this chapter. American essayists of this period were, on the one hand, greatly influenced by the literature and culture of Europe and sought to absorb its lessons into their own writing. On the other, these same essayists pushed back against the idea that European writing should be their primary influence. Instead, they frequently critiqued Europe from afar and sought to develop a new idiom and fresh form of expression unique to the United States. Writers like Washington Irving, Walt Whitman, Ralph Waldo Emerson, Margaret Fuller, Edgar Allan Poe, Frederick Douglass, Henry James, and Henry David Thoreau explored the many tensions between the United States and Europe in their essays and used them to debate the extent to which America should remain in Europe’s cultural shadow.