The engraved slate plaques were part of an extensive and variable class of ritual objects in Late Neolithic and Copper Age Iberia, with Classic plaques being the most numerous and standardized type. Classic plaques have a top and base separated by a horizontal line or bands, and base registers of repeating design elements (triangles, checkerboard, etc.). Associated with burials, they have been interpreted as genealogical records, with their base design referencing a clan or other social unit and their number of registers denoting the generational distance of the deceased from an important ancestor. The authors evaluate the genealogical hypothesis using a larger dataset than available when originally proposed, employing statistical analyses to examine the relationship between the number of registers and find locations, and between design elements and tomb size. Tomb size is viewed as a measure of collective labour, and hence a proxy of the status of the individuals in the tomb. These analyses show significant patterning between the number of registers and the plaques’ geographic distribution, and between specific design elements and tomb size, suggesting that the genealogical hypothesis remains a plausible explanation for the Classic plaques.

Gender archaeology approaches to Iberian late prehistory have experienced a significant growth in the last two decades. However, much of the work undertaken has focused on specific aspects of the archaeological record (rock art, burial practices), particularly from the Bronze Age and Iron Age periods for which the evidence is more readily available. In addition, it has tended to be regional or local in scope. Here, we attempt an empirically robust multi-proxy approach to the development of early gender inequalities in Neolithic Iberia. Inspired by Gerda Lerner's ideas on the origins of patriarchy and based on a systematic collection of data analysed by means of significance testing, we present the first comprehensive study of gender dissymmetries in Iberian prehistory. Our conclusions suggest that, first, the multi-proxy method used has potential for the systematic study of gender inequalities on the basis of archaeological data and, second, that the Neolithic witnessed emerging gender inequalities that set the basis for male domination in later periods.

Green objects of personal adornment were quite common among Neolithic and Copper Age groups in Western Europe, and variscite was one of the minerals that was most often used for such a purpose. This article presents the results of a series of archaeological campaigns designed to study the mines of Aliste and the ornament production loci of Quiruelas de Vidriales (both in the province of Zamora, Spain). We discovered that initially, during the fourth millennium cal BC, variscite from Aliste was seldom used and the ornaments’ production was dispersed, but that there was a significant shift during the third millennium cal BC: ornament production intensified and became concentrated in the production sites of Quiruelas. We relate this transformation to the socioeconomic processes that developed in the Iberian Peninsula and the growth of supra-regional socio-technical artefact exchange networks.

Because of its great potential to provide data on contacts and overseas trade, ivory has aroused a great deal of interest since the very start of research into Iberian late prehistory. Research recently undertaken by the German Archaeological Institute in Madrid in collaboration with a number of other institutions has provided valuable contributions to the study of ivory in the Iberian Copper Age and Early Bronze Age. One of the archaeological sites that is contributing the most data for analysing ivory from the Copper Age in southern Iberia is Valencina de la Concepción (Seville), which is currently the focus of several debates on the development of social complexity. This article contributes to this line of research by providing new, unpublished evidence and by examining the significance of ivory craftsmanship in commercial, social, and ideological terms. It also assesses in greater detail the prominent part played by luxury ivory items as an expression of social status and power.