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Volume 1 of The Cambridge History of Global Migrations documents the lives and experiences of everyday people through the lens of human movement and mobility from 1400 to 1800. Focusing on the most important typologies of preindustrial global migrations, this volume reveals how these movements transformed global paths of mobility, the impacts of which we still see in societies today. Case studies include those that arose from the demand for free, forced, and unfree labor, long- and short-distance trade, rural/urban displacement, religious mobility, and the rise of the number of refugees worldwide. With thirty chapters from leading experts in the field, this authoritative volume is an essential and detailed study of how migration shaped the nature of global human interactions before the age of modern globalization.
Edited by
Mónica Szurmuk, Universidad Nacional de San Martín and National Scientific and Technical Research Council, Argentina,Debra A. Castillo, Cornell University, New York
This chapter describes and analyzes the contemporary map of Paraguay, based on its most representative cultural experiences, including that of the Taller Manuel Ortiz Guerrero poets, from which tangara poetry emerges; the poetic work of Jorge Canese, spearhead of several experimentations of current literature; the narrative in Guarani language, of which we choose the novel Kalaíto Pombéro by Tadeo Zarratea (1981) as pivot; and the frontier cartography following the narrative of Damián Cabrera. The democratization process of the Paraguayan society, which started in the 1980s, assures suitable conditions for the publication and dissemination of literature and accompanies the emergence of new aesthetics. The tangara poetry, initiated with the book Tangara tangara (1985) by Ramón Silva, expands the range of Guaraní poetry toward radically different forms compared to the traditional forms. Further, Paraguayan Guarani literature becomes more complex with the jopara, which debuts as a literary language with Ramona Quebranto (1989) by Margot Ayala, and with the display of Guarani narrative. Finally, we find hybridizations used by several authors attempting to reshape their literary language, such as interactions with Portuguese, enhancing a literary and cultural area in the Triple Frontier. These changes turn twenty-first-century Paraguayan literature into a map of high indetermination.
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