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The last chapter discusses the major contentions leading up the civil war, that is, state rights and slavery. The first part focuses once again on the disagreement over the proper definition of the people. On the one hand, excerpts from John Calhoun’s writings demonstrate the Southern emphasis on state rights and his idea of the concurrent majority. On the other hand, Henry Clay’s speech on the Compromise Tariff Bill reveals his dedication to the Union and embrace of compromise as the founding principle of the United States. Daniel Webster’s Constitution and Union Speech gives insight into his controversial support of the Fugitive Slave Act in the name of constitutional obligations. The second part presents the arguments of the moral abolitionists, with excerpts from the American Anti-Slavery Society, William Lloyd Garrison, and Frederick Douglass. In turn, the Southern reactionary defense of slavery is illustrated in selections from George Fitzhugh’s Sociology for the South and Hammond’s “mudsill theory.” The last section of the chapter offers excerpts of Abraham Lincoln’s speeches, exhibiting his political pragmatism on the question of slavery and the maintenance of the Union.
The material conditions of the years between 1800 and 1830 rendered Black authors and much of African American literature “out of bounds.” Contributors engage literature by people of African descent outside of slavery’s fetters, or Black cultural producers creating work deemed untoward, or literatures developed outside the covers of bound books. In this period, the idea of Black literature was plagued not only by prohibitions on literacy and circumscription on Black people’s mobility, but also by ambivalence about what in fact would have been acceptable public discourse for people of African descent. This volume explores African American literature that elided the suppression of African American thought by directly confronting the urgencies of the moment, especially themes related to the pursuit and the experience of freedom. Transitions in the social, political, and cultural conditions of the decades in question show themselves in literary production at the turn of the nineteenth century. This volume focuses on transitions in organizational life (section 1), in mobility (section 2), in print circulation (section 3), and in visual culture (section 4).
This chapter reveals the profound impact that the 1850 Fugitive Slave Act had on the slave narrative by comparing narratives from the same author published before and after the passage of the act. Consulting pre- and post-1850 narratives by Henry Box Brown, William Grimes, and Josiah Henson, this chapter illuminates key ways in which the Fugitive Slave Act shaped one of the premier genres of African American literature.
Tensions over American slavery came to a head with the passage of the 1850 Fugitive Slave Act. It drove many African Americans – free and fugitive alike – away from their homes in the North for fear that the law’s strict new policies on fugitive slave recovery would increase the likelihood of being captured or kidnapped into southern slavery. Using the wildly popular anti-slavery novel Uncle Tom’s Cabin as a guide, this chapter explores how the Fugitive Slave Act affected anti-slavery views regarding fugitive slaves, international free soil, and the Underground Railroad. It introduces readers to differing viewpoints and heated controversies surrounding the novel’s influence on the anti-slavery movement and it shows how the northward migration of tens of thousands of fugitive slaves contributed to a full-blown “Canada Culture” within the anti-slavery movement of the early 1850s.
The movement to abolish the slave trade in the District of Columbia continued unabated in the latter 1840s, now with the gag rule removed. Slavery placed increasing stresses on the nation as a whole, and Congress responded by passing the Compromise of 1850. One feature of this agreement was the suppression of the D.C. slave trade, which effectively shuttered William H. Williams’ Yellow House. The chapter ends by briefly recounting the careers of Williams’ slave–trading associates Rudolph Littlejohn, Ebenezer Rodbird, Joshua Staples, Nathaniel Boush, and, in greater detail, his brother Thomas Williams.
Chapters 5–7 bring the story into the 1850s. Chapter 5 opens with the passage of the Fugitive Slave Act of 1850, and the distinct regional reactions to the legislation. The discussion then turns to the law’s impact on the operations of the Underground Railroad in the Borderland. Though attempts to remand fugitives from the Borderland accelerated, enslaved African Americans continued to strike out for freedom in ever greater numbers. The law empowered slave catchers to retaliate legally and violently against Underground activists, but this added pressure was at least partially offset by the completion of rail transportation networks linking the Borderland with the Upper North, which boosted activists’ capacity to help fugitives traverse the region quickly. Though the new fugitive slave law did not succeed in suppressing Underground activity, it did inhibit resistance to fugitive slave renditions: most fugitive slave rescues in the region in the 1850s employed trickery and misdirection as opposed to the large-scale riots that had characterized the region in the 1840s.
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