Event-related brain potentials in response to harmonically inappropriate chords were compared for musical experts and novices. Similar to previous studies, these chords elicited an early right anterior negativity (ERAN). The amplitude of the ERAN was clearly larger for musical experts than for novices, presumably because experts had more specific musical expectancies than novices. Chords with a physically deviant timbre elicited a mismatch negativity that did not differentiate the groups, indicating that the larger ERAN in experts was not due to a general enhanced auditory sensitivity. The ERAN reflects fast and automatic neural mechanisms that process complex musical (music-syntactic) irregularities, and the present results indicate that these mechanisms can be modulated by expertise.

During listening to a musical piece, unexpected harmonies may evoke brain responses that are reflected electrically as an early right anterior negativity (ERAN) and a late frontal negativity (N5). In the present study we demonstrate that these components of the event-related potential can be evoked preattentively, that is, even when a musical stimulus is ignored. Both ERAN and N5 differed in amplitude as a function of music-theoretical principles. Participants had no special musical expertise; results thus provide evidence for an automatic processing of musical information in “nonmusicians.”