This experimental article claims that relatively recent trends in Western philosophy provide a much more open approach to philosophies originating in nonwestern traditions, including the Chinese, than found in most mainstream Western philosophy. More specifically, I argue that a slightly modified version of Jacques Derrida's concept of différance offers a hermeneutic parallel to native Chinese philosophical approaches to interpretation. These converge in the view that Western and Chinese philosophies cannot be reduced to the other in conceptual terms and that a finalized meaning or interpretation of each is a priori unattainable, thus providing a future opening for – and even integration of – a Chinese-Western dialogue in global philosophy and ethics.

This study proposes an innovative, triangular close reading of three Persian authors: Nezāmi, Golshiri, and Mandanipour. It argues that the two modern authors, Hushang Golshiri with his famous novella Shāh-e siyāhpushān, the “King of those clad in black,” and Shahriar Mandanipour in his Censoring an Iranian Love Story, are not only bound to each other in a close master-disciple relationship, but also consciously expound on the subversive potential of the twelfth-century poet Nezāmi. In the process, the divide between modern and classical narrative traditions in Persian literature is bound to disappear, allowing for novel interpretations and perspectives on Nezāmi and for his epics to be heard.