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  • Chapter 6 - The Appeal and Challenge of Apatē in Imperial Criticism: Plutarch’s De audiendis poetis

  • Jonas Grethlein, Ruprecht-Karls-Universität Heidelberg, Germany
  • Book:
    The Ancient Aesthetics of Deception
    Published online:
    23 August 2021
    Print publication:
    16 September 2021, pp 137-165

  • Summary

    Plutarch’s De audiendis poetis, discussed in Chapter 6, is one of the first testimonies to the resuscitation of apatē as a critical term in the Imperial era. In defending the educational function of poetry, Plutarch is responding to Plato. While Plutarch’s positive view disagrees with Plato’s negative verdict, his argument, as I will argue, is predicated on Plato’s association of immersion with corruption. Plutarch, after acknowledging poetry’s spell, lays out a strongly reflexive mode of reading intended to render the young readers immune to the dangers of absorption. His agenda has been appraised as prefiguring the modern hermeneutics of suspicion, but there are also important differences to be noted. Besides drawing our attention to the role of Plato, De audiendis poetis suggests further reasons for the appeal of apatē in the Imperial era, notably a culture of rhetorical epideixis that put a premium on captivating performances and the socio-political function of literature for the Greek elites in the Roman empire that gave new prominence to its ethical dimension.