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This study provides an accessible overview of the range of reading spaces in modern Japan, and the evolution thereof from a historical perspective. After setting the scene in a short introduction, it examines the development of Kanda-Jinbōchō, the area of Tokyo that has remained for a century the location in Japan most bound up with books and print culture. It then considers the transformation of public reading spaces, explaining how socio-economic factors and changing notions of space informed reading practices from the early modern era to the present. This led, in turn, to changes in bookstores, libraries, and other venues. Finally, it briefly considers the nature and impact of virtual reading spaces, such as the representation of reading and reading spaces in popular culture, and new modes of reading mediated by the digital realm as well as the multifaceted relationship between these and older forms of reading practice.
The future of Chicago literature will emerge from the city’s “literary infrastructure.” Just as the city’s literal infrastructures channel the movement of water and waste, electricity and gas, vehicles and people, literary institutions (publishers, bookstores, libraries, schools, museums, newspapers, performance venues) enable the flow of creative energies. From the late nineteenth century onwards, Chicago, as a new sort of industrial city, challenged writers with social and physical realities that seemed beyond (or below) conventional literary expression. Writers responded by innovating in style and genre, shifting the literary standards to represent how Chicago shaped, and was shaped by, its people. Many contemporary Chicago writers work across genres and in media as diverse as sociological scholarship and comic books; others write poetry and novels, while also functioning as part of the literary infrastructure as reviewers, publishers, and professors. Future Chicago literature will be written by native Chicagoans and newcomers alike, as they encounter the city, engage with its literary traditions, and write within (and create new) literary institutions.
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