In the Metamorphoses, Ovid’s simile world becomes a more fragmented and less cohesive place where simile characters from the past may appear rarely or not at all, similes are so short that they often do not achieve the immersive effects typical of the simile worlds of earlier epics, and they do not work hand in hand with the story to bring forward key themes. Some conventional simile features take on different functions in the Metamorphoses, such as the chase similes that describe erotic pursuits instead of battle scenes. Main roles become cameo appearances while minor characters from earlier epics may find themselves at center stage. Yet similes retain many of their familiar qualities, and some of the poem’s most memorable moments are achieved in part with heart-pounding scenes familiar from earlier epics of predators chasing their prey, raging fires, battle scenes, and sailing. Similes help the Metamorphoses both to claim the epic genre for itself and to take that genre to new places it had never been before. The story and the similes tell a tale of constancy and change, of passion rather than battle as the most important arena for human conflict, and of storytelling itself.