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We will turn now to two symbolic images: The allegory of Injustice in the Arena Chapel (Padua) by Giotto di Bondone (1303–1305) and the allegory of War in the Palazzo Pubblico (Siena) by Ambrogio Lorenzetti (1338–1339). They are major milestones in the visualization of rape in European art, condemnatory representations intended for a public audience. Despite the extensive secondary literature on these sites, the representations of sexual violence have never been examined or compared to each other, even in specialist studies. They can potentially reconfigure our views of wartime rape before modernity.
This book is the first comprehensive study of images of rape in Italian painting at the dawn of the Renaissance. Drawing on a wide range of primary sources, Péter Bokody examines depictions of sexual violence in religion, law, medicine, literature, politics, and history writing produced in kingdoms (Sicily and Naples) and city-republics (Florence, Siena, Lucca, Bologna and Padua). Whilst misogynistic endorsement characterized many of these visual discourses, some urban communities condemned rape in their propaganda against tyranny. Such representations of rape often link gender and aggression to war, abduction, sodomy, prostitution, pregnancy, and suicide. Bokody also traces how the new naturalism in painting, introduced by Giotto, increased verisimilitude, but also fostered imagery that coupled eroticism and violation. Exploring images and texts that have long been overlooked, Bokody's study provides new insights at the intersection of gender, policy, and visual culture, with evident relevance to our contemporary condition.
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