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Index
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- Irish Drama and the Other Revolutions
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017, pp 258-272
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5 - The Flaming Sunflower: The Soviet Union and Sean O'Casey's Post-Realism
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- Irish Drama and the Other Revolutions
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017, pp 169-212
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Epilogue: What The Irish Left – Sean O'Casey, Samuel Beckett and Lorraine Hansberry's The Sign in Sidney Brustein's Window
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- Irish Drama and the Other Revolutions
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- 06 January 2018
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- 23 June 2017, pp 213-240
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Works Cited
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- Irish Drama and the Other Revolutions
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017, pp 241-257
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Introduction
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- Irish Drama and the Other Revolutions
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017, pp 1-15
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Edinburgh Critical Studies in Modernism, Drama and Performance
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- Irish Drama and the Other Revolutions
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017, pp viii-viii
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Acknowledgements
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- Irish Drama and the Other Revolutions
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017, pp vi-vii
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781474424479/resource/name/9781474424479i.jpg)
Irish Drama and the Other Revolutions
- Playwrights, Sexual Politics and the International Left, 1892–1964
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017
4 - Mobilising Maurya: J. M. Synge, Bertolt Brecht and the Revolutionary Mother
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- Irish Drama and the Other Revolutions
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017, pp 135-168
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2 - Arrested Development: Utopian Desires, Designs and Deferrals in Man and Superman and John Bull's Other Island
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- Irish Drama and the Other Revolutions
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017, pp 57-95
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Contents
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- Irish Drama and the Other Revolutions
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017, pp v-v
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1 - Desiring Women: Irish Playwrights, New Women and Queer Socialism, 1892–1894
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- Irish Drama and the Other Revolutions
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- 06 January 2018
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- 23 June 2017, pp 16-56
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3 - We'll Keep the Red Flag Flying Here: Syndicalism, Jim Larkin and Irish Masculinity at the Abbey Theatre, 1911–1919
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- Irish Drama and the Other Revolutions
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- Edinburgh University Press
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- 06 January 2018
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- 23 June 2017, pp 96-134
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Frontmatter
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- Irish Drama and the Other Revolutions
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- 06 January 2018
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- 23 June 2017, pp i-iv
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9 - Synge and gender
- from Part II - Theorising Synge
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- The Cambridge Companion to J. M. Synge
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- 28 March 2010
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- 19 November 2009, pp 104-116
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Clearing the Stage: Gender, Class, and the Freedom of the Scenes in Eighteenth-Century Dublin
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- PMLA / Publications of the Modern Language Association of America / Volume 119 / Issue 5 / October 2004
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- 23 October 2020, pp. 1264-1278
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- October 2004
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PATHOLOGICAL POSSIBILITIES: CONTAGION AND EMPIRE IN DOYLE'S SHERLOCK HOLMES STORIES
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- Victorian Literature and Culture / Volume 31 / Issue 2 / September 2003
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- 21 October 2003, pp. 447-466
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