You have turned the page, and thus have already opened a door.
A door to the text.
A text about doors.
Or, to be more precise, about the recurrence of doors and their function in Sophocles and Racine.
Our purpose in focusing on plays in which the door or gate has a significant role for the individual and his being-in-the-world is to delineate the passageway which leads the tragic character to a boundary situation and, from there, to a possible transgression of that situation. That which is on each side of the door, the spaces created by the thresholds, will thus help locate the place of the tragic event. This spatialization of the tragic event as the transgressing of a boundary situation is emphasized by the way in which both Sophocles and Racine determine the parameters of the action as it is structured within a specific space.