13 results
Connecting Sounds: The Social Life of Music. By Nick Crossley. Manchester: Manchester University Press, 2020. 210 pp. ISBN: 978-1-5261-2603-0
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- Journal:
- Popular Music / Volume 40 / Issue 1 / February 2021
- Published online by Cambridge University Press:
- 04 June 2021, pp. 184-185
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- February 2021
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Perspectives on German Popular Music, edited by Michael Ahlers and Christophe Jacke . Abingdon: Routledge, 2017. xvii + 320 ppp. ISBN 978-1-4724-7962-4
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- Popular Music / Volume 36 / Issue 3 / October 2017
- Published online by Cambridge University Press:
- 09 October 2017, pp. 472-473
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- October 2017
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Please Please Me: Sixties British Pop, Inside Out. By Gordon Thompson. Oxford: Oxford University Press, 2008. xii + 340 pp.
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- Popular Music / Volume 28 / Issue 3 / October 2009
- Published online by Cambridge University Press:
- 20 October 2009, pp. 451-453
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- October 2009
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Rockin' Las Américas: The Global Politics of Rock in Latin/o America. Edited by Deborah Pacini Hernandez, Héctor Fernández L'Hoeste and Eric Zolov. Pittsburgh: University of Pittsburgh Press, 2004. xii+420 pp. ISBN 0 8229 5841 4 (paper)
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- Popular Music / Volume 25 / Issue 1 / January 2006
- Published online by Cambridge University Press:
- 17 February 2006, pp. 131-132
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- January 2006
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Introduction
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- Popular Music / Volume 25 / Issue 1 / January 2006
- Published online by Cambridge University Press:
- 17 February 2006, pp. 1-2
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- January 2006
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Popular Music in Contemporary France: Authenticity, Politics, Debate. By David L. Looseley. Berg, 2003. 256 pp. ISBN 1 85973 636 (paperback), ISBN 1 85973 631 9 (hardback)
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- Journal:
- Popular Music / Volume 23 / Issue 3 / October 2004
- Published online by Cambridge University Press:
- 19 October 2004, pp. 382-384
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- October 2004
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12 - ‘Rockization’: Diversity within Similarity in World Popular Music
- from PART III - TRANSNATIONAL PROCESSES
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- Global America?
- Published by:
- Liverpool University Press
- Published online:
- 22 July 2017
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- 31 December 2003, pp 222-234
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Global Pop: World Music, World Markets. By Timothy D. Taylor. New York and London: Routledge, 1997. 271 pp.
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- Popular Music / Volume 19 / Issue 2 / April 2000
- Published online by Cambridge University Press:
- 11 December 2000, pp. 257-264
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- April 2000
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Whose Master's Voice? The Development of Popular Music in Thirteen Cultures. Edited by Alison J. Ewbank and Fouli T. Papageorgiou. Westport, Connecticut: Greenwood Press, 1997. 259 pp.
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- Journal:
- Popular Music / Volume 17 / Issue 3 / October 1998
- Published online by Cambridge University Press:
- 11 November 2008, pp. 351-352
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- October 1998
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Musica mizrakhit, Israeli rock and national culture in Israel1
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- Popular Music / Volume 15 / Issue 3 / October 1996
- Published online by Cambridge University Press:
- 11 November 2008, pp. 275-284
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- October 1996
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Pungent Sounds: Constructing Identity with Popular Music in Austria. By Edward Larkey. New York: Peter Lang Publishing, 1993. 341 pp.
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- Popular Music / Volume 14 / Issue 2 / May 1995
- Published online by Cambridge University Press:
- 11 November 2008, pp. 275-276
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- May 1995
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Music at the Margins: Popular Music and Global Cultural Diversity. By Deanna Campbell Robinson, Elizabeth B. Buck, Marlene Cuthbert and The International Communication and Youth Consortium. Newbury Park: Sage Publications, 1991. 312 pages.
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- Journal:
- Popular Music / Volume 12 / Issue 1 / January 1993
- Published online by Cambridge University Press:
- 11 November 2008, pp. 85-87
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- January 1993
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Israeli rock, or a study in the politics of ‘local authenticity’
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- Journal:
- Popular Music / Volume 11 / Issue 1 / January 1992
- Published online by Cambridge University Press:
- 11 November 2008, pp. 1-14
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- January 1992
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