14 results
Alternative Chinese Opera in the Age of Globalization: Performing Zero. By Daphne P. Lei. Basingstoke: Palgrave Macmillan, 2011. Pp. xii + 232. £50 Hb.
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- Theatre Research International / Volume 37 / Issue 2 / July 2012
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- 03 May 2012, pp. 196-197
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- July 2012
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‘A Drum, a Drum – Macbeth doth come’: When Birnam Wood moved to China
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- Shakespeare Survey
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- 28 March 2007
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- 25 November 2004, pp 169-185
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14 - Shakespeare on the stages of Asia
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- The Cambridge Companion to Shakespeare on Stage
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- 28 May 2006
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- 30 May 2002, pp 259-283
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Mao's Chair: Revolutionizing Chinese Theatre
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- Theatre Research International / Volume 27 / Issue 1 / March 2002
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- 14 February 2002, pp. 1-17
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- March 2002
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Theater and Society: An Anthology of Contemporary Chinese Drama. Edited and translated by Haiping Yang. [Armonk, NY and London: M. E. Sharpe, 1998. 376 pp. Hard cover £50.50, $62.95, ISBN 0-7656-0307-1; paperback £19.95, $24.95, ISBN 0-7656-0308-X.]
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- The China Quarterly / Volume 159 / September 1999
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- 12 February 2009, pp. 761-763
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- September 1999
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‘False but True, Empty but Full, Few but Many’—The Dialectic Concepts in Traditional Chinese Performance Art and Painting
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- Theatre Research International / Volume 24 / Issue 2 / Summer 1999
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- 23 January 2009, pp. 179-187
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- Summer 1999
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Chinese Theatre and the Actor in Performance. By Jo Riley. Cambridge: Cambridge University Press, 1997. Pp. vii + 348. £45; $64.95 Hb.
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- Theatre Research International / Volume 23 / Issue 1 / Spring 1998
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- 23 January 2009, p. 86
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- Spring 1998
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Macbeth Becomes Ma Pei: An Odyssey from Scotland to China
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- Theatre Research International / Volume 20 / Issue 1 / Spring 1995
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- 23 January 2009, pp. 42-53
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- Spring 1995
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Reading the Modern Chinese Short Story. Edited by Theodore Huters. [Armonk, New York & London: M. E. Sharpe, Inc., 1990. 212 pp. Hard cover $39.95, paperback $16.95.]
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- The China Quarterly / Volume 131 / September 1992
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- 12 February 2009, pp. 836-838
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- September 1992
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Contemporary Women Writers, Hong Kong and Taiwan. Edited by Eva Hung. [Hong Kong: Chinese University of Hong Kong, 1990. 130 pp. $9.50.]
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- The China Quarterly / Volume 128 / December 1991
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- 12 February 2009, pp. 859-860
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- December 1991
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Grandmother Had No Name. By Alice Lin. [London: Peter Owen, 1990. 217 pp. £14.95.]
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- The China Quarterly / Volume 126 / June 1991
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- 12 February 2009, pp. 393-394
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- June 1991
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Crystal Boys. By Pai Hsien-Yung, translated by Goldblatt Howard. [Gay Sunshine Press, San Francisco, 1990. 330 pp.]
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- The China Quarterly / Volume 124 / December 1990
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- 12 February 2009, p. 748
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- December 1990
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China's Ibsen: From Ibsen to Ibsenism. By Elisabeth Eide. [London: Curzon Press. 1987. Scandinavian Institute of Asian Studies Monograph Series No. 55. 201 pp.]
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- The China Quarterly / Volume 122 / June 1990
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- 12 February 2009, pp. 336-337
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- June 1990
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Renditions, A Chinese-English Translation Magazine – Nos. 27 & 28–Spring & Autumn 1987, Special Issue, Contemporary Women Writers. Published by the Research Centre For Translation, The Chinese University Of Hong Kong. [Hong Kong: Vision Arts Production and Associates, 275 pp.]
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- The China Quarterly / Volume 118 / June 1989
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- 17 February 2009, pp. 378-379
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- June 1989
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