In Notes from the Dead House, fictional narrator Aleksandr Petrovich Gorianchikov appears as wife murderer in the preface and as a political prisoner in the memoirs. In the preface, Gorianchikov experiences moral anguish over his crime. But the memoirs actively employ social analysis to shift the burden of guilt from convicts onto the social structure. This authoritarian structure, which divides society into an underclass of ignorant “children” ruled by violent “fathers,” notably excludes women. The murder of a second wife in an inset tale brutally enacts this exclusion: while Gorianchikov's social analysis helps him understand many of the prisoners, it cannot account for the convict Shishkin's murder of his wife Akulka. Gorianchikov's personal guilt for murdering his wife constitutes a response to—and a repetition of—the moral bewilderment that emerges out of Akulka's death. Seen in this light, the formal tensions between preface, memoir, and inset tale are motivated by and demonstrate a conflict between social analysis and individual responsibility.