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Chapter 1 - Straddling: London-Irish Actresses in Performance
- from Part I - Representations and Resistance
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- Book:
- Ireland, Enlightenment and the English Stage, 1740-1820
- Published online:
- 22 July 2019
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- 01 August 2019, pp 31-56
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7 - Drama
- from Part II - Genres, modes, and forms
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- Book:
- The Cambridge Companion to Women's Writing in Britain, 1660–1789
- Published online:
- 05 May 2015
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- 20 April 2015, pp 118-134
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The Unaccountable Pleasure of Eighteenth-Century Tragedy
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- Journal:
- PMLA / Publications of the Modern Language Association of America / Volume 129 / Issue 4 / October 2014
- Published online by Cambridge University Press:
- 23 October 2020, pp. 688-707
- Print publication:
- October 2014
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9 - Hester Thrale: ‘What Trace of the Wit?’
- from Part II - Performance
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- Book:
- Bluestockings Displayed
- Published online:
- 05 August 2014
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- 21 November 2013, pp 187-210
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Contributors
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- Book:
- Bluestockings Displayed
- Published online:
- 05 August 2014
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- 21 November 2013, pp xi-xiv
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Performing Blackness on English Stages, 1500–1800. By Virginia Mason Vaughan. Cambridge: Cambridge University Press, 2005; xiv+190, 10 illus. $75 cloth.
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- Journal:
- Theatre Survey / Volume 48 / Issue 1 / May 2007
- Published online by Cambridge University Press:
- 25 April 2007, pp. 177-179
- Print publication:
- May 2007
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28 - Women novelists 1740s–1780s
- from PART V - LITERARY GENRES: TRANSFORMATION AND NEW FORMS OF EXPRESSIVENESS
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- Book:
- The Cambridge History of English Literature, 1660–1780
- Published online:
- 28 March 2008
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- 06 January 2005, pp 745-767
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11 - Biography and autobiography
- from GENRES
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- Book:
- The Cambridge History of Literary Criticism
- Published online:
- 28 March 2008
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- 13 November 1997, pp 302-315
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