Since 1976, [our] goal has been to fight against the Franco/tourist mono-culture with its flamenco, bulls, sangria and the Phalangist Sección Femenina regional folklorism with its coros i danzas and white shirts and red kerchiefs that are still part of the San Fermin costume to this day. As we became interested in [the xeremies], we found ourselves with a problem: the majority of the musicians were very old people, and in order to restore its dignity, we decided [that] we would collect what was left of the musical formation and ensure its secular presence in village celebrations. And I think that something came out of it. Otherwise, look around you. What it used to be and what it has become: what a difference! (Rotger and Rubio 2015)