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Published online by Cambridge University Press: 21 April 2023
1 See The Chimurenga Chronic: Now-Now, a Pan African Gazette, https://chimurengachronic.co.za/; N. Mabuse, ‘Chimurenga: Africa's answer to the New Yorker’, CNN, 4 June 2012, https://www.cnn.com/2012/06/04/world/africa/ntone-edjabe-chimurenga/index.html; N. Edjabe and U.-S. C. Nzewi, ‘The FESTAC ’77 mixtape’. | MoMA Magazine, 9 Dec. 2020, https://www.moma.org/magazine/articles/471.
2 ‘About the Chimurenga library’, The Chimurenga Chronic, https://chimurengachronic.co.za/about-the-chimurenga-library/.
3 Soyinka's essay entitled ‘Festac agonistes’ features in the volume.
4 Apter, A., The Pan-African Nation: Oil and the Spectacle of Culture in Nigeria (Chicago, 2005)CrossRefGoogle Scholar.
5 Ibid., for more background.
6 ‘FESTAC AT 45: FESTAC ’77, A Mixtape by Chimurenga’, The Chimurenga Chronic, 29 July 2020, https://chimurengachronic.co.za/festac-77-a-mixtape-by-chimurenga/.
7 In the volume, see: W. Soyinka, ‘Festac agonistes’; U.-S. C. Nzewi, ‘Mapping pan-African artistic modernism at FESTAC ‘77’, 150–1; D. Malaquais and C. Vincent, ‘Three takes and a mask’, 53–6.
8 Stanek, Ł., Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton, 2020)Google Scholar.
9 Apter, A., ‘Festac 77: a Black World's Fair’, in Oxford Research Encyclopedia of African History (Oxford, 2021)Google Scholar, https://doi.org/10.1093/acrefore/9780190277734.013.798.
10 Onabanjo, O. C. (ed.), Marilyn Nance: Last Day in Lagos (Johannesburg, 2022)Google Scholar.