Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-26T16:44:49.267Z Has data issue: false hasContentIssue false

Appendix 5 - Selected Films in English of Operettas by Composers for the German Stage

Published online by Cambridge University Press:  27 June 2019

Derek B. Scott
Derek B. Scott
Affiliation:
University of Leeds
Type
Chapter
Information
German Operetta on Broadway and in the West End, 1900–1940 , pp. 341 - 344
Publisher: Cambridge University Press
Print publication year: 2019
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC-ND 4.0 https://creativecommons.org/cclicenses/

Appendix 5 Selected Films in English of Operettas by Composers for the German Stage

The Merry Widow (Lehár)

  • 1925 Mae Murray & John Gilbert, dir. Erich von Stroheim. Metro-Goldwyn-Mayer. 137 mins. [Silent]

  • 1934Maurice Chevalier & Jeanette MacDonald, dir. Ernst Lubitsch. MGM. 99 mins.

  • 1952 Lana Turner & Fernando Lamas, dir. Curtis Bernhardt. Turner dubbed by Trudy Erwin. New lyrics by Paul Francis Webster. MGM. 105 mins.

The Chocolate Soldier (Straus)

  • 1914 Alice Yorke & Tom Richards, dir. Walter Morton & Hugh Stanislaus Stange. Daisy Feature Film Company [USA]. 50 mins. [Silent]

  • 1941 Nelson Eddy, Risë Stevens & Nigel Bruce, dir. Roy del Ruth. Music adapted by Bronislau Kaper and Herbert Stothart, add. music and lyrics: Gus Kahn and Bronislau Kaper. Screenplay Leonard Lee and Keith Winter based on Ferenc Mulinár’s The Guardsman. MGM. 102 mins.

  • 1955 Risë Stevens & Eddie Albert, dir. Max Liebman. Music adapted by Clay Warnick & Mel Pahl, and arr. Irwin Kostal, add. lyrics: Carolyn Leigh. NBC. 77 mins.

The Count of Luxembourg (Lehár)

  • 1926 George Walsh & Helen Lee Worthing, dir. Arthur Gregor. Chadwick Pictures. [Silent]

Madame Pompadour (Fall)

  • 1927 Dorothy Gish, Antonio Moreno & Nelson Keys, dir. Herbert Wilcox. British National Films. 70 mins. [Silent]

Golden Dawn (Kálmán)

  • 1930 Walter Woolf King & Vivienne Segal, dir. Ray Enright. Music credited to Emmerich Kálmán and Hubert Stothart. Screenplay: Walter Anthony. Vitaphone Orchestra, cond. Louis Silvers. Warner Bros and The Vitaphone Corporation. 81 mins.

The Smiling Lieutenant [Ein Walzertraum] (Straus)

  • 1931 Claudette Colbert, Maurice Chevalier & Miriam Hopkins, dir. Ernst Lubitsch. MD: Adolph Deutsch; music arr. Johnny Green & Conrad Salinger, lyrics Clifford Grey. Screenplay Ernest Vajda & Samson Raphaelson. Paramount Pictures. 90 mins.

The Lady in Ermine (Gilbert)

  • 1927 Corinne Griffith, Einar Hanson & Ward Crane, dir. James Flood. Corinne Griffith Productions. [Silent]

  • 1948 [That Lady in Ermine] Betty Grable, Douglas Fairbanks Jr, & Cesar Romero; dir. Ernst Lubitsch and Otto Preminger. [Preminger took over after Lubitsch’s death during filming.] Lyrics & music: Leo Robin & Frederick Hollander. Screenplay Samson Raphaelson. Orchestration: Edward Powell, Herbert Spencer, & Maurice dePakh. MD and incidental music: Alfred Newman. Twentieth Century Fox. 85 mins.

One Hour with You (Straus)

  • 1932 Maurice Chevalier, Jeanette MacDonald & Genevieve Tobi, dir. Ernst Lubitsch, assisted by George Cukor. Script: Samson Raphaelson (after Lothar Schmidt’s play Only a Dream). Songs by Oscar Straus, lyrics Leo Robin, title song by Richard Whiting. Paramount Pictures. 80 minutes.

Waltz Time [Die Fledermaus] (Strauss, Jr)

  • 1933 Evelyn Laye, Fritz Schultz & Gino Malo, dir. Wilhelm Thiele. Screenplay: A.P. Herbert & Louis Levy. Gaumont British Picture Corporation. 82 mins.

Blossom Time (Clutsam/Schubert)

  • 1934 Richard Tauber, Jane Baxter & Carl Esmond, dir. Paul L. Stein. British International Pictures (BIP). 91 mins.

Waltzes from Vienna (Strauss Sr & Jr, arr. Korngold & Bittner)

  • 1934 Esmond Knight, Jessie Matthews & Edmund Gwen, dir. Alfred Hitchcock. Gaumont British Picture Corporation. 76 mins.

  • 1938 [The Great Waltz] Luise Rainer, Fernand Gravey, and Miliza Korjus, dir. Julien Duvivier, Victor Fleming, & Josef von Sternberg. Screenplay Samuel Hoffenstein & Walter Reisch from an original story by Gotfried Reinhardt. Music arr. Dimitri Tiomkin, lyrics: Oscar Hammerstein II. MD: Arthur Gutmann. Dances and ensembles: Albertina Rasch. MGM. 104 mins.

Two Hearts in Waltztime (Stolz)

  • 1934 Carl Brisson, Frances Day, Valerie Hobson & Oscar Asche, dir. Carmine Gallone & Joe May. Based on the German film of 1930. Nettlefold Films. [Walton-on-Thames, Surrey.] 80 mins.

I Give My Heart [Die Dubarry] (Millöcker/Mackeben)

  • 1936 Gitta Alpár, Patrick Waddington & Owen Nares, dir. Marcel Varnel, BIP. 90 mins.

The Last Waltz (Straus)

  • 1936 Jarmila Novotna & Harry Welchman, dir. Gerald Barry and Leo Mittler. Warwick Film Productions & Gnom-Tonfilm. 74 mins.

Dreams Come True [Clo-Clo] (Lehár)

  • 1936 Frances Day, Nelson Keys, Hugh Wakefield & Marie Lohr, dir. Reginald Denham. London & Continental Films. 78 mins.

The King Steps Out [Sissi] (Kreisler)

  • 1936 Grace Moore & Franchot Tone, dir. Josef von Sternberg. Columbia Pictures. 85 mins.

With Pleasure, Madame [Ball im Savoy] (Abraham)

  • 1936 Conrad Nagel & Marta Labarr, dir. Victor Hanbury. John Stafford Productions. 75 mins.

The Girl in the Taxi (Gilbert)

  • 1937 Frances Day, Henri Garat, & Lawrence Grossmith, dir. André Berthomieu. British Unity Pictures. 66 mins.

The Lilac Domino (Cuvillier)

  • 1937 Michael Bartlett, June Knight, & Fred Emney, dir. Frederic Zelnik. Grafton Films [UK]. 79 mins.

Maytime (music originally Kollo, then Romberg)

  • 1937 Jeanette MacDonald, Nelson Eddy, & John Barrymore, dir. Robert Z. Leonard. Music arr. & composed: Herbert Stothart. MGM. 131 mins.

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×