From the Editor
From the Editor
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- 18 August 2014, pp. 293-295
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Articles
Nomadic Chutzpah: The Vilna Troupe's Transnational Yiddish Theatre Paradigm, 1915–1935
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- 18 August 2014, pp. 296-317
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Trafficking in Transnational Brands: The New “Broadway-Style” Musical
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- 18 August 2014, pp. 318-342
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Troubling Multiculturalisms: Staging Trans/National Identities in Teatro de Ciertos Habitantes's El gallo
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- 18 August 2014, pp. 343-361
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The Fiery Pacific: Volcanic Eruptions and Settler-State Theatricality in Oceania, 1780–1900
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- 18 August 2014, pp. 362-392
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What Are You Reading?: Edited by Gina Bloom
What Are You Reading?
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- 18 August 2014, pp. 393-397
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Book Reviews: Edited by Gina Bloom, with Megan Ammirati
Performativity and Performance in Baroque Rome. Edited by Peter Gillgren and Mårten Snickare. Farnham, Surrey, UK: Ashgate, 2012; pp. xi + 257, 68 illustrations. $119.95 cloth.
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- 18 August 2014, pp. 398-400
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Mind-Travelling and Voyage Drama in Early Modern England. By David McInnis. Basingstoke, Hampshire, UK and New York: Palgrave Macmillan, 2013; pp. xiii + 236, 2 illustrations. $90 cloth, $85 e-book.
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- 18 August 2014, pp. 400-402
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Shakespeare and the Materiality of Performance. By Erika T. Lin. New York: Palgrave Macmillan, 2012; pp. xiii + 238, 15 illustrations. $90 cloth, $85 e-book.
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- 18 August 2014, pp. 402-404
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Lena Ashwell: Actress, Patriot, Pioneer. By Margaret Leask. Hatfield, Hertfordshire, UK: University of Hertfordshire Press, 2012; pp. 320. $50 cloth, $29.95 paper, $23.99 e-book.
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- 18 August 2014, pp. 404-405
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Maria Irene Fornes. By Scott T. Cummings. Routledge Modern and Contemporary Dramatists. London and New York: Routledge, 2012; pp. xxiv + 208, 18 illustrations. $125 cloth, $31.95 paper, $31.95 e-book.
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- 18 August 2014, pp. 405-407
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Harold Pinter: The Theatre of Power. By Robert Gordon. Ann Arbor, MI: University of Michigan Press, 2012; pp. 228. $49.50 cloth, $26.95 paper.
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- 18 August 2014, pp. 407-409
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Sexual Politics in the Work of Tennessee Williams: Desire over Protest. By Michael S. D. Hooper. Cambridge: Cambridge University Press, 2012; pp. vi + 251, 5 illustrations. $103 cloth, $82 e-book.
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- 18 August 2014, pp. 409-411
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Naturalism in Theatre: Its Development and Legacy. By Kenneth Pickering and Jayne Thompson. Basingstoke, Hampshire, UK: Palgrave Macmillan, 2013; pp. ix + 232, 13 illustrations. $90 cloth, $32.00 paper.
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- 18 August 2014, pp. 411-413
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Dramaturgy of the Real on the World Stage. Edited by Carol Martin. Basingstoke, Hampshire, UK and New York: Palgrave Macmillan, 2012; pp. xviii + 309, 20 illustrations. $105 cloth, $29 paper.
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- 18 August 2014, pp. 413-414
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The Feminist Spectator in Action: Feminist Criticism for the Stage & Screen. By Jill Dolan. Basingstoke, Hampshire, UK and New York: Palgrave Macmillan, 2013; pp. 248. $80 cloth, $26 paper.
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- 18 August 2014, pp. 415-416
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British Avant Garde Theatre. By Claire Warden. Basingstoke, Hampshire, UK and New York: Palgrave Macmillan, 2012; pp. xii + 216, 7 illustrations. $90 cloth, $85 e-book.
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- 18 August 2014, pp. 416-418
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The Incident at Antioch: A Tragedy in Three Acts / L'Incident d'Antioche: Tragédie en trois actes. By Alain Badiou. Translated by Susan Spitzer. Introduction by Kenneth Reinhard. New York: Columbia University Press, 2013; pp. 216. $69.50 cloth, $22.95 paper, $17.99 e-book
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- 18 August 2014, pp. 418-420
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Performing European Memories: Trauma, Ethics, Politics. By Milija Gluhovic. Studies in International Performance. New York: Palgrave Macmillan, 2013; pp. xii + 324, 10 illustrations, $90 cloth, $90 e-book.
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- 18 August 2014, pp. 420-422
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Jews and Theater in an Intercultural Context. Edited by Edna Nahshon. Brill Series in Jewish Studies, vol. 46. Leiden: Brill Academic Publishers, 2012; pp. xviii + 390. $186 cloth, $189 e-book.
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- 18 August 2014, pp. 422-424
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