Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-12-02T11:27:52.498Z Has data issue: false hasContentIssue false

Eugene O'Neill in South Africa: Margaret Webster's Production of A Touch of the Poet

Published online by Cambridge University Press:  21 October 2010

Martin Blank
Affiliation:
The College of Stolen Island

Extract

Margaret Webster (1905–1972), British-American producer-director perhaps best remembered for her production of Othello with Paul Robeson, was also a distinguished writer, lecturer and actress. It was in these several capacities that Webster was invited in 1961 by the United States Department of State to visit South Africa. Webster was to lecture on theatre, offer her one-woman recitals of Shakespeare and Shaw, and direct an “American classic” for the South African National Theatre Organization. In discussions with members of the State Department and the National Theatre Organization, the plays of several writers, including Williams, Miller, Wilder, Hellman and MacLeish, were considered but eventually eliminated for reasons of suitability, individual taste or because of recent productions in South Africa. Eventually, A Touch of the Poet was selected for production.

Type
Notes and Documents
Copyright
Copyright © American Society for Theatre Research 1988

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

NOTES

1 Webster, Margaret, Don't Put Your Daughter on the Stage (New York: Alfred A. Knopf, 1972), pp. 322323.Google Scholar

2 Blakeney, Percy, “Margaret Webster ‘Electrifies’ the Cast at Rehearsals,” Sunday Express (Johannesburg) 23 July 1961.Google Scholar All newspaper articles referred to are in the Margaret Webster Papers at the Library of Congress; the clippings lack page numbers, and occasionally the title of the newspaper is missing.

3 “Magnificent Cast and Dynamic Producer at Theatre in ‘Touch of the Poet,’” newspaper clipping.

4 Brown, James Ambrose, “At the Play,” Sunday Times (Johannesburg) 6 August 1961.Google Scholar

5 Jones, Ivor, “The World of Entertainment,” The Cape Times 30 August 1961.Google Scholar

6 J.H.D., “‘Touch of the Poet’ is Memorable,” newspaper clipping.

7 Sowden, Lewis, “Brilliant Acting in O'Neill,” Rand Daily Mail 2 August 1961.Google Scholar

8 Ivor Jones, “The World of Entertainment.”

9 Walker, Oliver, “Drunken Irishman in Search of Oblivion,” The Star (Johannesburg) 2 August 1961.Google Scholar

10 J.H.D., “Touch of the Poet’ is Memorable.”

11 Ivor Jones, “The World of Entertainment.”

12 James Ambrose Brown, “At the Play.”

13 Report of Argus J. Tresidder, 6 February 1962, Margaret Webster Papers, Library of Congress.

14 James Ambrose Brown, “At the Play.”

15 Report of Argus J. Tresidder, 6 February 1962.

16 “Demonstration Against ‘Whites Only,’” Eastern Province Herald 16 September 1961.

17 Margaret Webster, p. 323.

18 Margaret Webster, p. 328.