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Darla Crispin and Bob Gilmore , eds, Artistic Experimentation in Music: An Anthology (Leuven: Leuven University Press, 2014).

Published online by Cambridge University Press:  21 June 2017

Ian Pace
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BOOKS
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Tempo , Volume 71 , Issue 281 , July 2017 , pp. 107 - 112
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Copyright © Cambridge University Press 2017 

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References

1 Redner, Wolfgang Edward, ‘Amerikanische Experimentalmusik’ (1954), in Im Zenit der Moderne. Geschichte und Dokumentation in vier Bänden – Die internationalen Ferienkurse für Neue Musik, Darmstadt, 1946–1966, vol. 3, ed. Borio, Gianmario and Danuser, Hermann (Freiburg: Rombach, 1997), pp. 178–189 Google Scholar; translated into English in Beal, Amy C., ‘Negotiating Cultural Allies: American Music in Darmstadt 1946–1956’, Journal of the American Musicological Society, 53/1 (Spring 2000), pp. 128–35CrossRefGoogle Scholar.

2 Cage, John, ‘Experimental Music: Doctrine’ (1955), republished in Cage, Silence: Lectures and Writings (Middletown, CT: Wesleyan University Press, 1961), pp. 13–17 Google Scholar.

3 For example, Lewis, George, A Power Stronger than Itself: the AACM and American Experimental Music (Chicago: University of Chicago Press, c. 2008)CrossRefGoogle Scholar; Saunders, James, ed., The Ashgate Research Companion to Experimental Music (Aldershot: Ashgate, 2009)Google Scholar; and Gottschalk, Jennie, Experimental Music since 1970 (New York: Bloomsbury, 2016)Google Scholar.

4 von Blumröder, Christoph, ‘Experiment, experimentelle Musik’, in Terminologie der Musik im 20. Jahrhundert, ed. Eggebrecht, Hans Heinrich (Stuttgart: Franz Steiner Verlag, 1995), pp. 118–40Google Scholar.

5 Pierre Schaeffer, ‘Vers une musique experimentale’ (1953), in La revue musicale no. 236 (Vers une musique experimentale), ed. Pierre Schaeffer (Paris: Richard-Masse, 1957), pp. 18–23.

6 Becker, Howard S., Art Worlds (Berkeley: University of California Press, 1982)Google Scholar.

7 In particular in Rheinberger, Hans-Jörg, Toward a History of Epistemic Things: Synthesizing proteins in the Test Tube (Stanford: Stanford University Press, 1997), pp. 11–37 Google Scholar.

8 Frayling, Christopher, ‘Research in Art and Design’, Royal College of Art Research Papers 1/1 (1993–94), p. 5 Google Scholar.

9 Spivak, Gayatri Chakravorty, ‘Can the Subaltern Speak?’, in Marxism and the Interpretation of Culture, ed. Nelson, Cary and Grossberg, Lawrence (London: Macmillan, 1988), pp. 271–316 CrossRefGoogle Scholar.

10 Frank Sani, ‘Morton Feldman's Palais de Mari: a pitch analysis’, at www.cnvill.net/mfsani3/mfsani3.htm (accessed 7 March 2017).

11 Born, Georgina, ‘On Music and Politics’, in Red Strains: Music and Communism Outside the Communist Bloc, ed. Adlington, Robert (Oxford: Oxford University Press, 2013), p. 64 Google Scholar.