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The Madness of George III by Alan Bennett (National Theatre)

Published online by Cambridge University Press:  02 January 2018

Hugh Freeman
Hugh Freeman*
Affiliation:
The British Journal of Psychiatry
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The mighty in a fallen state represent one of the oldest themes in drama, reminding people in each successive epoch that underneath the trappings of power and authority is but a mortal man – or sometimes woman. Alan Bennett's depiction of The Madness of George III follows a trajectory from ‘Before’ – royal business, marital contentment, and family conflict – through the agonies of psychosis and its medical responses, to ‘After’ – (more or less) back to normal.

Type
Review
Information
Psychiatric Bulletin , Volume 16 , Issue 4 , April 1992 , pp. 249 - 250
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution (CC-BY) license (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright © Royal College of Psychiatrists, 1992

References

Freeman, H. L. (1991) The brain and political behaviour. British Journal of Psychiatry, 159, 19–32.Google Scholar
Jackson, I. (1991) The Independent. November 27.Google Scholar
Macalpine, I. & Hunter, R. (1969) George III and The Mad Business. London: Allen Lane.Google Scholar
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