Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-26T07:55:57.304Z Has data issue: false hasContentIssue false

Sing Us a Song, Pianowoman: Female Fans and the Music of Tori Amos. By Adrienne Trier-Bieniek. Lanham, MD, Toronto and Plymouth: The Scarecrow Press, 2013. 169 pp. ISBN 978-0-810-88550-9

Published online by Cambridge University Press:  30 April 2015

Elina Valovirta*
Affiliation:
University of Turku, Finland

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ahmed, S. 2004. The Cultural Politics of Emotion (Edinburgh, Edinburgh University Press)Google Scholar
Jalkanen, K. 2003. ‘Keijukaiskuningatar ja hänen hovinsa: Laulaja Tori Amos ja Internet rockkultin keskiönä’ (The fairy queen and her court: The singer Tori Amos and the Internet as rock cult's centre), in Kulttikirja: Tutkimuksia nykyajan kultti-ilmiöistä (Cult Book: Studies on Today's Cult Phenomena), ed. Kovala, U. and Saresma, T. (Helsinki, SKS), pp. 3854Google Scholar
Koivunen, A. 2010. ‘An affective turn? Reimagining the subject of feminist theory’, in Working With Affect in Feminist Readings: Disturbing Differences, ed. Liljeström, M. and Paasonen, S. (London, Routledge), pp. 828Google Scholar
Scott, J.W. 1992. ‘Experience’, in Feminists Theorize the Political, ed. Butler, J. and Scott, J.W. (New York, Routledge), pp. 2240Google Scholar