We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
References
Bennett, A.2000. Popular Music and Youth Culture: Music, Identity, and Place (London, MacMillan)Google Scholar
Bennett, A., and Hodkinson, P. (eds.) 2012. Ageing and Youth Cultures: Music, Style and Identity (New York, Berg)Google Scholar
Bennett, A., and Kahn-Harris, K. (eds.) 2004. After Subculture: Critical Studies in Contemporary Youth Culture (London, Palgrave)CrossRefGoogle Scholar
Bennett, A., and Peterson, R. (eds.) 2004. Music Scenes: Local, Translocal and Virtual (Nashville, TN, Vanderbilt University Press)Google Scholar
Chaney, D.1996. Lifestyles (New York, Routledge)Google Scholar
Forman, M., and Fairley, J.2012. ‘Special issue: As Time Goes By: music, dance and ageing,’ Popular Music, 31/2Google Scholar
Hesmondhalgh, D.2005. ‘Subcultures, scenes or tribes? None of the above,’ Journal of Youth Studies, 8/1, pp. 21–40Google Scholar
Huq, R.2006. Beyond Subculture: Pop, Youth and Identity in a Postcolonial World (New York, Routledge)Google Scholar
Small, C.1998. Musicking: The Meanings of Performance and Listening (Middletown, CT, Wesleyan University Press)Google Scholar