Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-12-02T21:29:54.408Z Has data issue: false hasContentIssue false
  • English
  • Français

Marxism, nationalism and popular music in revolutionary Cuba1

Published online by Cambridge University Press:  11 November 2008

Peter Manuel
Get access Rights & Permissions [Opens in a new window]

Extract

Among the ever-growing body of publications on popular music, all but a small minority have tended to deal exclusively with the capitalist world. The relative neglect of the workings of popular music in socialist countries has led to an unfortunate lacuna in descriptive studies and, perhaps more importantly, a potential bias in theoretical studies. Popular cultures in socialist states may share many features with their counterparts in the capitalist world, but they are also likely to differ in several important aspects, including, for example, the role of the market, of the bureaucracy, of state cultural policy, the limits on commercialism and the entire ideological climate fostered by socialism. Consequently, many of the theoretical generalisations about popular music, based on studies of the capitalist world, must be revised or qualified when socialist countries are considered.

Type
Research Article
Information
Popular Music , Volume 6 , Issue 2 , May 1987 , pp. 161 - 178
Copyright
Copyright © Cambridge University Press 1987

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Acosta, Leonardo. 1981. Canciones de la nueva trova (Havana: Editorial Letras Cubanas)Google Scholar
Alen, Olavo. 1984. Interview.Google Scholar
Anonymous. 1977. Statement of the 1971 Congress of Education and Culture, in Política cultural de la Revolución cubana: documentos (Havana: Editorial de Ciencias Sociales)Google Scholar
‘Areito’. 1975. ‘Entrevista Con Noel Nicola y Silvio Rodríguez,’ Areito 2(2–3), 11–12Google Scholar
Benmayor, Rina. 1981. ‘La Nueva Trova: New Cuban Song,’ Latin American Music Review 2(1), pp. 11–44CrossRefGoogle Scholar
Borbolla, Carlos. 1980. ‘Cuba: Folk Music.’ The New Grove Dictionary of Music and Musicians, ed. Sadie, Stanley (London: Macmillan) Vol. 5, pp. 85–9Google Scholar
Capetillo, Enrique. 1983. ‘Oscar d'León: Señor Sonero’, Bohemia 16 12, pp. 20–1Google Scholar
Carpentier, Alejo. 1946. La música en Cuba (Mexico: Fondo de Cultura Económica (reprint))Google Scholar
Carrasco, Pirard. 1982. ‘The nueva canción in Latin America’, International Social Science Journal 34(4), pp. 599–623Google Scholar
Castellón, Martha. 1982. ‘La salsa como reflejo de la vigencia del son’ (Havana: CIDMUC [unpublished, unpaginated mimeographed manuscript])Google Scholar
Castro, Fidel. 1977. ‘La Cultura’ (address to the First Congress of the Communist Party of Cuba, 1975), in Política cultural de la Revolución cubana: documentos (Havana: Editorial de Ciencias Sociales)Google Scholar
Castro, Fidel. 1986 ‘Main report to the 3rd Congress [of the Communist Party of Cuba]’, in Granma Weekly Review, 16 02, pp. 1–21Google Scholar
Crook, Larry. 1982. ‘A musical analysis of the Cuban rumba’, Latin American Music Review 3(1), pp. 92–123CrossRefGoogle Scholar
Díaz Ayala, Cristobal. 1981. La música cubana del areito a la nueva trova (San Juan: Editorial Cubanacan)Google Scholar
Fairley, Jan. 1985. ‘Annotated bibliography of Latin-American popular music with particular reference to Chile and to nueva canción’, Popular Music 5, pp. 305–56CrossRefGoogle Scholar
Gómez, Zoila. 1979. ‘Panorama de la canción cubana’, Revolución y Cultura 84/79 (8/79)Google Scholar
Hart Davalos, Armando. 1983. Cambiar las reglas del juego (Havana: Editorial Letras Cubanas)Google Scholar
Jeske, Lee. 1983. ‘Paquito d'Rivera: alto in exile’, Downbeat, 11 1983, pp. 23–5, 57.Google Scholar
León, Argeliers. 1972. ‘Notas para un panorama de la música popular cubana’, Revista Nacional de Cultura (Caracas) No 204, pp. 47–58Google Scholar
León, Argeliers. 1984. Interview.Google Scholar
Manuel, Peter (forthcoming) ‘Rock music and cultural ideology in revolutionary Cuba’, Popular Music Perspectives Vol. 3 (papers from the Third International Conference on Popular Music Studies)Google Scholar
Martínez, Mayra. 1979–1980. ‘Música popular: sigue la encuesta’, Revolución y Cultura No 89–91 (9/97–3/80)Google Scholar
Calzado, Osmundo, No 86 (10/79), p. 77Google Scholar
de la Fuente, Rodolfo, No 89 (1/80), p. 75Google Scholar
d'Rivera, Paquito, No 89 (1/80), p. 75Google Scholar
Gómez, Zoila, No 88 (12/79), p. 65Google Scholar
Izquierdo, Pedro, No 89 (1/80), p. 76Google Scholar
Jorrín, Enrique, No 85 (9/79), p. 74Google Scholar
Orovio, Helio, No 91 (3/80), p. 75Google Scholar
Vidal, Amaury Pérez, No 90 (2/80), p. 76Google Scholar
Poncé, Douglas, No 87 (11/79), p. 74CrossRefGoogle Scholar
Prats, Rodrigo, No 84 (8/79), pp. 50–1Google Scholar
Ramos, Miriam, No 84 (8/79), p. 51Google Scholar
Rivero, José, No 88 (12/79), p. 65Google Scholar
Martínez, Mayra. 1982. ‘La salsa: un paliativo contra la nostalgia?’ (Havana: CIDMUC [unpublished, unpaginated mimeograph manuscript])Google Scholar
Mesa-Lago, Carmelo. 1978. Cuba in the 1970s (Albuquerque: University of New Mexico)Google Scholar
Mesa-Lago, Carmelo. 1981. The Economy of Cuba: A Two-Decade Appraisal (Alburquerque: University of New Mexico)Google Scholar
Orozco, Danilo. 1980. ‘El son: ritmo, baile o reflejo de la personalidad cubana?’ (Havana: CIDMUC [unpublished, unpaginated, mimeograph manuscript])Google Scholar
Otero, Lisandro. 1972. Cultural Policy in Cuba (Paris: Unesco)Google Scholar
Peñalver Moral, Reinaldo. 1983. ‘Son 14: salsa o son?’, Bohemia, 10 12, pp. 23–4Google Scholar
Pereira Ramirez, Alfredo. 1984. From the Cuban Institute of Radio and Television, interviewGoogle Scholar
Pola, J. A. 1983a. ‘No existe una música para la juventud’ (interview with Enrique Jorrín), Bohemia 14 10, pp. 20–1.Google Scholar
Pola, J. A. 1983b. ‘En ocasiones no sabemos que hacer con el talento’ (interview with Rembert Egües), Bohemia 9 12, pp. 20–1Google Scholar
Rivero, José, and Pola, J. A.. 1983. ‘Formell: “… tengo que competir con mis proprias obras”’ (interview with Juan Formell), Bohemia 16 09, pp. 21–2Google Scholar
Roberts, John S. 1972. Black Music of Two Worlds (New York: Praeger)Google Scholar
Roberts, John S. 1979. The Latin Tinge: The Impact of Latin America Music on the United States (New York: Oxford University Press)Google Scholar
Saenz, Carmen M. and Vinueza, Maria Elena. 1982. ‘Los jovenes prefieren la salsa:’ (Havana: CIDMUC [unpublished, unpaginated, mimeograph manuscript])Google Scholar
Salas, Osvaldo. 1986. ‘Chucho Valdés and Irakere: part of jazz history’, Granma Weekly Review, 9 03Google Scholar
Salas, Osvaldo, and Ojeda, Helio. 1986. ‘Home-grown jazz festival on upbeat’, Granma Weekly Review, 9 03Google Scholar
Singer, Roberta, and Friedman, Robert. 1977. ‘Puerto Rican and Cuban musical expression in New York’, Liner Notes to New World Records 244Google Scholar
Starr, S. Frederick. 1983. Red and Hot: the Fate of Jazz in the Soviet Union (New York: Oxford University Press)Google Scholar
Szemere, Anna. 1983. ‘Some institutional aspects of pop and rock music in Hungary’, Popular Music Vol. 3 (Cambridge: Cambridge University Press)Google Scholar
Thomas, Hugh. 1971. Cuba, or the Pursuit of Freedom (London: Eyre and Spottiswoode)Google Scholar
Torres, Dora Ileana. 1982. ‘El fenómeno de la salsa y lo nuestro latinoamericano y caribeño’ (Havana: CIDMUC [unpublished, unpaginated, mimeograph manuscript])Google Scholar
Treaster, Joseph. 1984. ‘Cuba livens up its radio as US prepares station’, New York Times, 5 08, p. 10Google Scholar
Urfé, Odolio. 1982. ‘La música folklórica, popular y del teatro cubano’, La cultura en Cuba socialista (Havana: Editorial Letras)Google Scholar
Vázquez, Omar. 1986. ‘The music of ritmo oriental’, Granma Weekly Review, p. 7Google Scholar
Villar, Juan. 1981. ‘Incidences sociohistoricas y politicas de la canción cubana y latinoamericana en el desarrollo de la cultura popular tradicional’, Música (Havana) 89–90, pp. 5–18Google Scholar
Vinueza, Maria Elena. 1984. Interview.Google Scholar