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Published online by Cambridge University Press: 23 October 2020
War is everywhere and nowhere in don quijote. It consumes don quijote's thoughts but seldom appears in the guise he expects. War animates the protagonist's most elaborate, potent fantasy of self-aggrandizement and social climbing, in which he lends his strong arm to a king to help him fight his wars and is rewarded with the king's daughter (Cervantes, Don Quijote 211–15). Yet as Don Quijote sets about trying to make his name through daring feats, actual war seems both elusive and overwhelming. Instead, Cervantes gives us a series of fantasies that ironize the conventional representation of heroism in a romance key, registering the anachronism of the single knight in a world marked by the collective allegiances of epic. At the same time, through a series of burlesque battles, the text reflects on the incommensurability of humanist pieties about war and its actual experience. Finally, in its engagement with problems of religious and ethnic difference, Don Quijote registers the contrast between war as it might be and the conflicts Spain actually experienced both within and beyond its borders.