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Frédéric Chopin, Ballades; Berceuse; Mazurkas - Yundi Li pf - Deutsche Grammophon 4812443, 2016 (1 CD: 55 minutes)

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Yundi Li pf
Deutsche Grammophon 4812443, 2016 (1 CD: 55 minutes)

Published online by Cambridge University Press:  19 February 2019

Danny Zhou
Danny Zhou*
Affiliation:
University of [email protected]
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Type
CD Reviews
Information
Nineteenth-Century Music Review , Volume 17 , Issue 1 , April 2020 , pp. 152 - 154
Copyright
Copyright © Cambridge University Press, 2019

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References

1 Ee Tan, Shzr, ‘New Chinese Masculinities on the Piano: Lang Lang and Li Yundi’, in Gender in Chinese Music, ed. Rachel A. Harris, Rowan Pease and Shzr Ee Tan (Rochester, NY: University of Rochester Press, 2013), 132–51 Google Scholar .

2 Samson, Jim, Chopin: The Four Ballades (Cambridge: Cambridge University Press, 1992), 8CrossRefGoogle Scholar .

3 See Leech‐Wilkinson, Daniel, ‘Cortot’s Berceuse’, Music Analysis 34/3 (2015): 335–63 Google Scholar , for discussion of Cortot’s performance of this piece.

4 A statement by Liszt when describing Chopin’s style of rubato, quoted in Eigeldinger, Jean-Jacques, Chopin: Pianist and Teacher: As Seen by his Pupils (Cambridge: Cambridge University Press, 1986), 51Google Scholar .

5 Spiro, Neta, Gold, Nicolas, and Rink, John, ‘The Form of Performance: Analyzing Pattern Distribution in Select Recordings of Chopin’s Mazurka Op. 24 No. 2’, Musicae Scientiae 14/2 (2010): 23–55CrossRefGoogle Scholar .