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Avra Xepapadakou and Alexandros Charkiolakis, eds, Interspersed with Musical Entertainment: Music in Greek Salons of the 19th Century (Athens: Hellenic Music Centre, 2017). xi + 229 pp. 22.00€.

Published online by Cambridge University Press:  07 October 2019

Nicole Pantos Vilkner
Nicole Pantos Vilkner*
Affiliation:
Westminster Choir College at Rider [email protected]
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 17 , Issue 1 , April 2020 , pp. 140 - 143
Copyright
Copyright © Cambridge University Press 2019

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References

1 On the Parisian music salon, see Chimènes, Myriam, Mécènes et musiciens: Du salon au concert à Paris sous la IIIe République (Paris: Fayard, 2004)Google Scholar. Also see Tunley, David, Salons, Singers and Songs: A Background to Romantic French Song 1830–1870 (London: Routledge, 2016)Google Scholar. On the Berlin salon scene, see Cypess, Rebecca and Sinkoff, Nancy, eds. Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin (Rochester: University of Rochester Press, 2018)Google Scholar.

2 Focusing on the study of cultural transfer and ‘national character’ in nineteenth-century Greek periodicals, the Chrysalis project website is accessible in Greek and English at http://chrisalis.eu/ (accessed 10 October 2018).

3 The Medusa repository is accessible in Greek and, with some exceptions, in English at http://medusa.libver.gr/ (accessed 10 October 2018).

4 The singer may find Lydía Zervanos’ diction guide to be a useful companion; see Singing in Greek: A Guide to Greek Lyric Diction and Vocal Repertoire (Lanham, MD: Rowman & Littlefield, 2015)Google Scholar.