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Remarks on the Broadening of Esthetic Experience

Published online by Cambridge University Press:  02 April 2024

Jean Galard
Jean Galard*
Affiliation:
Institut français d'Amérique Latine
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Today, esthetic thought takes pride in the fact that it no longer scorns familiar objects nor any form of everyday culture. Refusing to limit its domain to Fine Arts, it analyzes the products of artisans and industry, urban environment, costumes and customs, tattooing and graffiti. It thus confirms a tendency of contemporary creativity that rejects the separated status of art and defies the regulations of good taste.

Type
Research Article
Information
Diogenes , Volume 30 , Issue 119 , September 1982 , pp. 86 - 102
Copyright
Copyright © 1982 Fédération Internationale des Sociétés de Philosophie / International Federation of Philosophical Societies (FISP)

References

1 Roger Caillois, Esthétique généralisée, Gallimard, 1962. Reprinted in cohérences aventureuses, Gallimard, Coll. Idées, 1976.

2 Augusto Boal, Jeux pour acteurs et non-acteurs, Maspero, 1978.

3 Pascal Bruckner and Alain Finkielkraut, Au coin de la rue, l'aventure, Le Seuil, 1979, p. 185.

4 Jean-Pierre Keller, "Aesthetic Perception in Everyday Life," Diogenes, No. 100, 1977.

5 Diderot, Essai sur la peinture, Gallimard, Pléiade, 1951, p. 1145.

6 Quoted by Victor del Litto, La Vie de Stendhal, Albin Michel, Ed. du Sud, 1965, p. 183.

7 The quotations from Roger Caillois in the two preceding paragraphs are taken from Esthétique généralisée, more precisely, from the second part entitled "La Beauté" in Cohérences aventureuses, pp. 40-47.

8 Roger Caillois "Concerning Poetry," Diogenes, 100, p. 126.

9 Idem, p. 118.

10 Idem, p. 126.

11 Roger Caillois, "Spécification de la poésie," Le Surréalisme au service de la Révolution, No. 5.

12 Roger Caillois, Poétique de Saint-John Perse, Gallimard, 1954, p. 137.

13 Idem, p. 140.

14 Roger Caillois, Cases d'un échiquier, Gallimard, 1970, p. 218.

15 Idem, p. 60.

16 Roger Caillois, Pierres, Gallimard, 1966, p. 108. These last six references are taken from Roger Little, "Pour une esthétique sévère: Roger Caillois lecteur de Saint-John Perse;" and from Pierre Calderon, "Roger Caillois l'impatient, ou un singulier art poétique," Sud, 1981.

17 Roger Caillois, Les Impostures de la Poésie, Lettres françaises, Buenos Aires, 1944; Gallimard, 1945.

18 Roger Caillois, Procès intellectuel de l'art, Marseilles, Cahiers du Sud, 1935.

19 Roger Caillois, "Concerning Poetry", Diogenes 100, p. 126.

20 Roger Caillois, Esthétique généralisée, p. 25.

21 Alain Roger, Nus et Paysages, Essai sur la fonction de l'art, Aubier Mon taigne, 1978.

22 Idem, p. 110.

23 Idem, pp. 138-139.

24 Idem, p. 164.

25 Idem, p. 165.

26 Michel Cazeneuve, Roland Auguet, Les empereurs fous, Ed. Imago, 1981.

27 Alain Roger, pp. 136-139.

28 Idem, p. 178.

29 Idem, p. 139.

30 Idem, pp. 180-181.

31 Idem, p. 180.

32 Roger Caillois, Rencontres, P.U.F., 1978, p. 56.

33 Fray Bernardino de Sahagún, Histoire générale des choses de la Nouvelle Espagne, extracts translated into French, Maspero, 1981, pp. 277-278.

34 Antonin Artaud, "Le théâtre Alfred Jarry," Oeuvres complètes, Vol. II, Gallimard, 1961, pp. 11-14.

35 Anne Ubersfeld, Lire le théâtre, Editions sociales, 1978, p. 47.

36 André Breton, Les Manifestes du Surréalisme, Sagittaire, 1946, p. 107.