Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-30T16:12:49.178Z Has data issue: false hasContentIssue false

Zurich Dada Conference (Manchester Metropolitan University, Manchester, England, 4–6 November 1994)

Published online by Cambridge University Press:  22 July 2014

Ramsay Burt
Affiliation:
De Montfort University, Leicester, United Kingdom

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reports
Copyright
Copyright © Congress on Research in Dance 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

(1) See Rhodes, Colin, Primitivism and Modern Art (London: Thames & Hudson, 1994).Google Scholar

(2) Daly, Ann, “Dance history and feminist theory: Isadora Duncan and the male gaze,” in Gender in Performance (Hanover & London: Tufts University Press, 1992).Google Scholar

(3) See Walker, John A., Cross-overs: art into pop/pop into art (London: Methuen, 1987).Google Scholar