Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by
Crossref.
Nowell, April
2006.
From A Paleolithic Art to Pleistocene Visual Cultures (Introduction to two Special Issues on ‘Advances in the Study of Pleistocene Imagery and Symbol Use’).
Journal of Archaeological Method and Theory,
Vol. 13,
Issue. 4,
p.
239.
De Smedt, Johan
and
De Cruz, Helen
2010.
Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art.
Evolutionary Psychology,
Vol. 8,
Issue. 4,
p.
695.
Watson, Ben
2012.
Rock Art and the Neurovisual Bases of Subjective Visual Phenomena.
Time and Mind,
Vol. 5,
Issue. 2,
p.
211.
Dissanayake, Ellen
2013.
Genesis and development of «Making Special»: Is the concept relevant to aesthetic philosophy?.
Rivista di estetica,
p.
83.
Hodgson, Derek
2013.
The Visual Brain, Perception, and Depiction of Animals in Rock Art.
Journal of Archaeology,
Vol. 2013,
Issue. ,
p.
1.
Helvenston, Patricia
2014.
Comments on the paper “Are altered states of consciousness detrimental, useful or helpful for the origins of symbolic cognition? A response to Hodgson and Lewis Williams”, by T Froese, A Woodward and T Ikegami.
Adaptive Behavior,
Vol. 22,
Issue. 4,
p.
277.
Hodgson, Derek
2014.
Commentary on Turing instabilities and symbolic material culture by Froese, Woodward and Ikegami.
Adaptive Behavior,
Vol. 22,
Issue. 1,
p.
86.
Froese, Tom
Woodward, Alexander
and
Ikegami, Takashi
2014.
Are altered states of consciousness detrimental, neutral or helpful for the origins of symbolic cognition? A response to Hodgson and Lewis-Williams.
Adaptive Behavior,
Vol. 22,
Issue. 1,
p.
89.
Hodgson, Derek
and
Watson, Benjamin
2015.
The visual brain and the early depiction of animals in Europe and Southeast Asia.
World Archaeology,
Vol. 47,
Issue. 5,
p.
776.
Froese, Tom
Guzmán, Gastón
and
Guzmán-Dávalos, Laura
2016.
On the Origin of the Genus Psilocybe and Its Potential Ritual Use in Ancient Africa and Europe1.
Economic Botany,
Vol. 70,
Issue. 2,
p.
103.
Worrall, David
2018.
Beastly Blake.
p.
135.
Hodgson, Derek
and
Pettitt, Paul
2018.
The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art.
Cambridge Archaeological Journal,
Vol. 28,
Issue. 4,
p.
591.
Challis, Sam
and
Skinner, Andrew
2021.
Art and Influence, Presence and Navigation in Southern African Forager Landscapes.
Religions,
Vol. 12,
Issue. 12,
p.
1099.
Needham, Andy
Wisher, Izzy
Langley, Andrew
Amy, Matthew
Little, Aimée
and
Petraglia, Michael D.
2022.
Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France).
PLOS ONE,
Vol. 17,
Issue. 4,
p.
e0266146.
Campbell, Benjamin
2023.
San trance dance: embodied experience and neurological mechanisms.
Religion, Brain & Behavior,
Vol. 13,
Issue. 1,
p.
18.
Wisher, Izzy
Pettitt, Paul
and
Kentridge, Robert
2023.
The deep past in the virtual present: developing an interdisciplinary approach towards understanding the psychological foundations of palaeolithic cave art.
Scientific Reports,
Vol. 13,
Issue. 1,
Wisher, Izzy
and
Needham, Andy
2023.
Illuminating palaeolithic art using virtual reality: A new method for integrating dynamic firelight into interpretations of art production and use.
Journal of Archaeological Science: Reports,
Vol. 50,
Issue. ,
p.
104102.
Wisher, Izzy
Pettitt, Paul
and
Kentridge, Robert
2024.
Conversations with Caves: The Role of Pareidolia in the Upper Palaeolithic Figurative Art of Las Monedas and La Pasiega (Cantabria, Spain).
Cambridge Archaeological Journal,
Vol. 34,
Issue. 2,
p.
315.