Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-25T04:53:14.341Z Has data issue: false hasContentIssue false
Series:   Elements in Magic

Witchcraft and Paganism in Midcentury Women's Detective Fiction

Published online by Cambridge University Press:  24 June 2022

Jem Bloomfield
Affiliation:
University of Nottingham

Summary

Witchcraft and paganism exert an insistent pressure from the margins of midcentury British detective fiction. This Element investigates the appearance of witchcraft and paganism in the novels of four of the most popular female detective authors of the era: Agatha Christie, Margery Allingham, Ngaio Marsh and Gladys Mitchell. The author approaches the theme of witchcraft and paganism not simply as a matter of content but as an influence which shapes the narrative and its possibilities. The 'witchy' detective novel, as the author calls it, brings together the conventions of Golden Age fiction with the images and enchantments of witchcraft and paganism to produce a hitherto unstudied mode of detective fiction in the midcentury.
Get access
Type
Element
Information
Online ISBN: 9781009072878
Publisher: Cambridge University Press
Print publication: 14 July 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Bibliography

Allingham, Margery. Cargo of Eagles (London: Chatto and Windus, 1968, repr. undated), e-book.Google Scholar
Allingham, Margery Look to the Lady (London: Jarrolds, 1931, repr. Penguin, 1950).Google Scholar
Allingham, Margery Sweet Danger (London: Heinemann, 1933, repr. Penguin, 1950).Google Scholar
Ascari, Maurizio. A Counter-history of Crime Fiction: Supernatural, Gothic, Sensational (Basingstoke: Palgrave Macmillan, 2007).Google Scholar
Briggs, Robin. Witches and Neighbours: The Social and Cultural Context of European Witchcraft (Malden, MA: 2002, 2nd ed.).Google Scholar
Christie, Agatha. Death Comes As the End (London: Collins, 1944, repr. HarperCollins, 2017), e-book.Google Scholar
Christie, Agatha Miss Marple: The Complete Short Stories, (London: Harper Collins, 1997).Google Scholar
Christie, Agatha Murder Is Easy (London: Collins, 1938, repr. HarperCollins, 2017), e-book.Google Scholar
Christie, Agatha The Pale Horse (London: Collins, 1961, repr. HarperCollins, 2010), e-book.Google Scholar
Cook, Michael. Detective Fiction and the Ghost Story: The Haunted Text (Basingstoke: Palgrave Macmillan, 2014).Google Scholar
Frazer, J. G. The Golden Bough: A Study in Magic and Religion (London: Macmillan, 1922 abridgement, repr. 1932).Google Scholar
Gardner, Gerald. Witchcraft Today (London: Rider, 1954).Google Scholar
Garrity, Jane. Step-Daughters of England (Manchester: Manchester University Press, 2003).Google Scholar
Gibson, Marion. Rediscovering Renaissance Witchcraft: Witches in Early Modernity and Modernity (Abingdon: Routledge, 2018).Google Scholar
Guglielmi, Waltraud. ‘Agatha Christie and Her Use of Ancient Egyptian Sources’, in Trumpler, Charlotte, ed. Agatha Christie and Archaeology (London: British Museum Press, 2001), pp.351–89.Google Scholar
Hutton, Ronald. The Triumph of the Moon: A History of Modern Pagan Witchcraft (Oxford: Oxford University Press, 1999, repr. 2001).Google Scholar
James, Phyllis Dorothy. The Private Patient (London: Faber and Faber, 2008).Google Scholar
Light, Alison. Forever England: Femininity, Literature and Conservatism between the Wars (London: Routledge, 1991).Google Scholar
Luhrmann, Tanya. Persuasions of the Witch’s Craft: Ritual Magic and Witchcraft in Present-Day England (Oxford: Blackwell, 1989).Google Scholar
Magliocco, Sabine. ‘New Age and Neopagan Magic’, in David J. Collins, SJ, ed. The Cambridge History of Magic and Witchcraft in the West (Cambridge: Cambridge University Press, 2015), pp. 635–63.Google Scholar
Mann, Jessica. Deadlier Than the Male: An Investigation into Feminine Crime Writing (London: David and Charles, 1981).Google Scholar
Marsh, Ngaio. Dead Water (London: William Collins, 1964, repr. Fontana, 1983).Google Scholar
Marsh, Ngaio Death in Ecstasy (London: Geoffrey Bles, 1936, repr. HarperCollins, 2009).Google Scholar
Marsh, Ngaio Off with His Head (London: William Collins, 1957, repr. HarperCollins, 2009), e-book.Google Scholar
Marsh, Ngaio Spinsters in Jeopardy (London: William Collins, 1954, repr. Fontana 1986).Google Scholar
Marsh, Ngaio When in Rome (London: William Collins, 1970, repr. Fontana, 1971).Google Scholar
Mitchell, Gladys. Come Away, Death (London: Michael Joseph, 1937, repr. Penguin, 1954).Google Scholar
Mitchell, Gladys The Dancing Druids (London: Michael Joseph, 1948).Google Scholar
Mitchell, Gladys Death and the Maiden (London: Michael Joseph, 1947, repr. Vintage, 2010).Google Scholar
Mitchell, Gladys Merlin’s Furlong (London: Michael Joseph, 1953, repr. Lyons, CO: Rue Morgue Press, 2010).Google Scholar
Mitchell, Gladys Nest of Vipers (London: Michael Joseph, 1979, repr. Vintage, 2014), e-book.Google Scholar
Mitchell, Gladys The Worsted Viper (London: Michael Joseph, 1943, repr. London: Severn House, 1980).Google Scholar
Ptah-hotep, . The Instruction of Ptah-hotep and the Instruction of Ke’gemni, tr. Battiscombe Gunn (London: John Murray, 1906).Google Scholar
Purkiss, Diane. The Witch in History: Early Modern and Twentieth-Century Representations (London: Routledge, 1996).Google Scholar
Rendell, Ruth. Babes in the Wood (London: Hutchinson, 2002).Google Scholar
Rowland, Susan. From Agatha Christie to Ruth Rendell (Basingstoke: Palgrave, 2001).Google Scholar
Starhawk, . The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess (New York: HarperCollins, 1979, repr. annotated ed., 1999).Google Scholar
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre, tr. Richard Howard (Ithaca, NY: Cornell University Press, 1973, repr. 1975).Google Scholar
Todorov, Tzvetan The Typology of Detective Fiction (1966), repr. in Geer, Chris, ed. Crime and Media: A Reader (London: Taylor & Francis, 2009).Google Scholar
Tope, Rebecca. Death in the Cotswolds (London: Allison and Busby, 2006).Google Scholar

Save element to Kindle

To save this element to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Witchcraft and Paganism in Midcentury Women's Detective Fiction
Available formats
×

Save element to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Witchcraft and Paganism in Midcentury Women's Detective Fiction
Available formats
×

Save element to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Witchcraft and Paganism in Midcentury Women's Detective Fiction
Available formats
×