The Music of Arbeau's Orchésographie

G. Yvonne Kendall

doi:10.1017/9781576472736

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Monahin, Nona 2015. Writing for Posterity: A Reassessment of Arbeau'sOrchésographie(1589). Congress on Research in Dance Conference Proceedings, Vol. 2015, Issue. , p. 125.

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Caddy, Davinia and Clark, Maribeth 2020. Musicology and Dance.

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Knäble, Philip 2021. Dance as Third Space. p. 139.

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G. Yvonne Kendall

Publisher:: Boydell & Brewer
Online publication date:: April 2020
Print publication year:: 2013
Online ISBN:: 9781576472736
DOI:: https://doi.org/10.1017/9781576472736

Subjects:: Music, Music: General Interest

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In this innovative study, G. Yvonne Kendall situates Orchesographie, the most widely-known dance manual of Renaissance Europe among contemporary sources from France, Italy, England, and Spain. This manual, penned under the pseudonym Thoinot Arbeau, contains 47 choreographies. Kendall places Orchesographie in the cultural context of sixteenth-century France by examining Arbeau's life and training, and the lives of many influential men and women who supported dance during the religious struggles of the Reformation. Dr. Kendall calls attention to many details of culture and performance in Orchesographie that have never before been sufficiently acknowledged. She uses her extensive skills as a musicologist, dance history scholar, dance reconstructor, and performer of both historical dance and instruments to explain the extremely diverse dance genres Arbeau preserved. A major portion of the book comprises a comprehensive group of music concordances based on tunes that Arbeau presented. Solo, partsong, and instrumental consort musical settings for eighty percent of Orchesographie's tunes have been identified and transcribed into modern notation. The commentary includes text translations and supplemental historical data. This engaging book serves the needs of scholars, dancers, and musicians by making available, for the first time, a detailed yet far-reaching analysis of a major source.

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The Music of Arbeau's Orchésographie

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-iv

Table of Contents
pp v-vii

Illustrations (Tables, Musical Examples, and Plates)
pp viii-ix

Dedication
pp x-x

Editorial Procedures
pp xi-xi

Acknowledgments
pp xii-xii

Abbreviations
pp xiii-xiii

Part I - HISTORICAL CONTEXT
pp 1-2

Chapter One - Arbeau’s Orchesographie
pp 3-12

Chapter Two - Arbeau’s Life and Times
pp 13-18

Chapter Three - Dance and French Humanism
pp 19-24

Chapter Four - Dance and the French Reformation
pp 25-30

Chapter Five - Society and the Body in Arbeau’s Era
pp 31-44

Chapter Six - Arbeau “On Stage”
pp 45-56

Chapter Seven - Composers and Publishers of French Dance Music
pp 57-64

Chapter Eight - Dance Genres
pp 65-74

Chapter Nine - Notes on Performance
pp 75-88

Part II - CRITICAL REPORT
pp 89-90

Chapter Ten - Editorial Methods
pp 91-94

Chapter Eleven - Critical Notes, Texts, and Translations
pp 95-130

PART III - CONCORDANCES
pp 131-312

PART IV - APPENDICES
pp 313-314

1 - Music Concordances (for tune not in Orchesographie)
pp 315-315

2 - Music Concordances (for choreographies without tune)
pp 316-319

3 - Concordances Arranged by Composer/Publisher
pp 320-323

4 - Concordances Arranged by Music Genre
pp 324-327

5 - Concordances Arranged by Title
pp 328-332

PART V - BIBLIOGRAPHIES
pp 333-334

Bibliography 1 - Primary Dance Sources and Facsimile Editions
pp 335-335

Bibliography 2 - Primary Music Sources and Facsimile Editions
pp 336-341

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