Book contents
- Frontmatter
- Contents
- Tables
- Acknowledgements
- Abbreviations
- A Note on the Musical Transcriptions
- Introduction
- 1 The Origins of the Second-Mode Tract Texts
- 2 Psalter Divisions per cola et commata and Textual Grammar in the Structure of the Second-Mode Tracts
- 3 The Musical Grammar of the Second-Mode Tracts
- 4 Responses to Textual Meaning in the Second-Mode Tract Melodies
- 5 Genre and the Second-Mode Tracts
- 6 Eripe me and the Frankish Understanding of the Second-Mode Tracts in the Early-Ninth Century
- 7 The Understanding of the Genre in the Earliest Notated Witnesses: The Evidence of the Second-Mode Tracts Composed by c. 900
- Conclusion
- Appendices
Book contents
- Frontmatter
- Contents
- Tables
- Acknowledgements
- Abbreviations
- A Note on the Musical Transcriptions
- Introduction
- 1 The Origins of the Second-Mode Tract Texts
- 2 Psalter Divisions per cola et commata and Textual Grammar in the Structure of the Second-Mode Tracts
- 3 The Musical Grammar of the Second-Mode Tracts
- 4 Responses to Textual Meaning in the Second-Mode Tract Melodies
- 5 Genre and the Second-Mode Tracts
- 6 Eripe me and the Frankish Understanding of the Second-Mode Tracts in the Early-Ninth Century
- 7 The Understanding of the Genre in the Earliest Notated Witnesses: The Evidence of the Second-Mode Tracts Composed by c. 900
- Conclusion
- Appendices
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- Medieval Liturgical Chant and Patristic ExegesisWords and Music in the Second-Mode Tracts, pp. vii - viiiPublisher: Boydell & BrewerPrint publication year: 2009