Hybrid Identity and the Utopian Impulse in the Postmodern Spanish-American Comic Novel

Paul R. McAleer

doi:10.1017/9781782045601

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2016. Books Received. Journal of Latin American Studies, Vol. 48, Issue. 1, p. 215.

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Paul R. McAleer, University of Hull

Publisher:: Boydell & Brewer
Online publication date:: May 2022
Print publication year:: 2015
Online ISBN:: 9781782045601
DOI:: https://doi.org/10.1017/9781782045601

Subjects:: Literature, Area Studies, European Literature, European Studies
Series:: Monografías A

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An important but often overlooked function of comedy is its intrinsic relation to questions of identity. This relationship, furthermore, is connected to another traditional feature of comedy: the utopian impulse. This book analyses these functions of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Fernando Vallejo and Jaime Bayly. Focusing on the correlation between changing concepts of identity and the hybrid cultural context of the late 20th-century, it examines the issues of individual and social identities expressed by these authors in their inscription and distortion of the comic genre as well as in their usage of different modes of comedy. It views the novels' comic aspects as symptoms of hybridity, which, according to many theorists, have brought about the dissolution of concepts, such as the self and society, and utopian modernity. These symptoms are studied in tandem with the individual themes of the novels, such as gender, sexuality, class and global migration, as well as the 'post-national' question of Peruvian, Colombian and Mexican identity.

Paul McAleer is Lecturer in Hispanic Studies at the University of Hull.

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Hybrid Identity and the Utopian Impulse in the Postmodern Spanish-American Comic Novel

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

Acknowledgements
pp vii-viii

1 - Contextualising the Debate: The European Comic Tradition and the Question of Context
pp 1-48

2 - Gustavo Sainz’s La princesa del Palacio de Hierro: Comedy and the Female Character in Transnational Mexico
pp 49-74

3 - Comic Identity and Cultural Exile in Bryce Echenique’s La vida exagerada de Martín Romaña
pp 75-98

4 - Black Comedy and Identity Loss in Fernando Vallejo’s La virgen de los sicarios: On the Road to Dystopia
pp 99-122

5 - Jaime Bayly’s La noche es virgen: Comic Queer Identities in the Era of Transnationalism
pp 123-146

Utopia, Comedy and Latin American Utopianism: Is This Really the End?
pp 147-160

Bibliography
pp 161-168

Index
pp 169-171

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Hybrid Identity and the Utopian Impulse in the Postmodern Spanish-American Comic Novel

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