Contents

pp v-vi

Acknowledgments

pp vii-viii

Introduction

pp 1-10

Part One - Selling Variety

pp 11-12

1 - Music's First Consumers: Publishers in the Late Eighteenth Century

pp 13-28

2 - Inside a Viennese Kunsthandlung: Artaria in 1784

pp 29-62

Part Two - Edifying Readers

pp 63-64

3 - Morality and the “Fair-Sexing” of Telemann's Faithful Music Master

pp 65-101

4 - Eighteenth-Century Mediations of Music Theory: Meter, Tempo, and Affect in Print

pp 102-124

Part Three - Marketing the Mundane

pp 125-126

5 - Musical Style as Commercial Strategy in Romantic Chamber Music

pp 127-153

6 - In Vienna “Only Waltzes Get Printed”: The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century

pp 154-175

7 - The Power to Please: Gender and Celebrity Self-Commodification in the Early American Republic

pp 176-202

Part Four - Cultivating Communities

pp 203-204

8 - Exchanging Ideas in a Changing World: Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824

pp 205-221

9 - Parisian Opera between Commons and Commodity, ca. 1830

pp 222-240

List of Contributors

pp 241-242

Index

pp 243-255