Skip to main content Accessibility help
×
  • Cited by 14
Publisher:
Cambridge University Press
Online publication date:
February 2013
Print publication year:
2013
Online ISBN:
9781139023399

Book description

The British Aesthetic Tradition: From Shaftesbury to Wittgenstein is the first single volume to offer readers a comprehensive and systematic history of aesthetics in Britain from its inception in the early eighteenth century to major developments in Britain and beyond in the late twentieth century. The book consists of an introduction and eight chapters, and is divided into three parts. The first part, The Age of Taste, covers the eighteenth-century approaches of internal sense theorists, imagination theorists and associationists. The second, The Age of Romanticism, takes readers from debates over the picturesque through British Romanticism to late Victorian criticism. The third, The Age of Analysis, covers early twentieth-century theories of Formalism and Expressionism to conclude with Wittgenstein and a number of views inspired by his thought.

Reviews

‘[The British Aesthetic Tradition] articulates a line of inquiry that offers a capacious and suggestive account of how modern and eighteenth-century British aesthetics can be understood within a long and at times contentious tradition.’

Theresa M. Kelley Source: Modern Philology

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Bibliography
Abrams, Meyer H.The Mirror and the Lamp: Romantic Theory and Critical Theory (Oxford: Oxford University Press, 1953).
Addison, Joseph, and Steele, Richard. The Spectator, ed. Bond, Donald F., 5 vols. (Oxford: Clarendon Press, 1965).
Akenside, Mark. The Pleasures of the Imagination. In The Poetical Works of Mark Akenside, ed. Dix, Robin (Cranbury, NJ: Associated University Presses, 1996).
Alexander, Samuel. Beauty and Other Forms of Value (London: Macmillan, 1933).
Alison, Archibald. Essays on the Nature and Principles of Taste (Dublin: Byrne, Moore, Grueber, McAllister, Jones, and White, 1790).
Andrews, Malcolm. The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain, 1760–1800 (Stanford, CA:Stanford University Press, 1989).
Ariosto, Lodovico. Orlando Furioso: Translated from the Italian of Lodovico Ariosto; with notes by John Hoole, 2nd ed., 5 vols. (London: George Nicol, 1785 [1783]).
Ariosto, LodovicoOrlando Furioso, trans. Rose, William Stewart (London: J. Murray, 1823–31).
Aristotle, . Poetics. In The Complete Works of Aristotle, ed. Barnes, Jonathan, vol. 2 (Princeton, NJ:Princeton University Press, 1984).
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the Creative Eye, The New Version (Berkeley: University of California Press, 1974 [1954]).
Arnold, Matthew. On Translating Homer: Three Lectures Given at Oxford (London: Longman, Green, Longman, and Roberts, 1861).
Arnold, Matthew “The Function of Criticism at the Present Time.” In Essays in Criticism (London: Macmillan and Co., 1865), 1–41.
Ashfield, Andrew, and de Bolla, Peter, eds. The Sublime: A Reader in Eighteenth-Century Aesthetic Theory (Cambridge: Cambridge University Press, 1996).
Atwood, Sara. Ruskin’s Educational Ideals (Farnham, UK: Ashgate, 2011).
Austen, Jane. Mansfield Park, ed. Wiltshire, John (Cambridge: Cambridge University Press, 2005 [1814]).
Austen, JaneNorthanger Abbey, ed. Benedict, Barbara M. and Le Faye, Deirdre (Cambridge: Cambridge University Press, 2006 [1817]).
Austen, JanePride and Prejudice, ed. Rogers, Pat (Cambridge: Cambridge University Press, 2006 [1813]).
Bacon, Francis. Bacon’s Essays, ed. Aldis Wright, W. (London: Macmillan, 1881 [1625]).
Baumgarten, Alexander Gottlieb. Reflections on Poetry: Alexander Gottlieb Baumgarten’s Meditationes philosophicae de nonnullis ad poema pertinentibus, trans. Aschenbrenner, Karl and Holther, William B. (Berkeley: University of California Press, 1954 [1735]).
Baumgarten, Alexander GottliebAesthetica/Ästhetik, Latin text edited with facing German translation by Dagmar Mirbach, 2 vols. (Hamburg: Felix Meiner Verlag, 2007 [1750/1758]).
Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism (New York: Harcourt Brace, 1958).
Beattie, James. Dissertations: Moral and Critical (London: W. Strahan and T. Cadell; Edinburgh: W. Creech, 1783).
Bell, Clive. Art (London: Chatto and Windus, 1914).
Blackburn, Simon. “Hume on the Mezzanine Level.” Hume Studies 19, 2 (1993): 273–88.
Blake, William. “Annotations to the Works of Sir Joshua Reynolds.” In The Complete Poetry and Prose of William Blake, ed. Erdman, David V. (Garden City, NY: Anchor/Doubleday, 1982), 635–62.
Bosanquet, Bernard. Three Lectures on Aesthetic (London: Macmillan, 1915).
Bradley, John L.An Introduction to Ruskin (Boston: Houghton Mifflin, 1971).
Bridgwater, Patrick. Nietzsche in Anglosaxony: A Study of Nietzsche’s Impact on English and American Literature (Leicester, UK:Leicester University Press, 1972).
Bromwich, David. Hazlitt: The Mind of a Critic (New Haven, CT:Yale University Press, 1999 [1983]).
Brugger, Peter. “One Hundred Years of an Ambiguous Figure: Happy Birthday, Duck/Rabbit!Perceptual and Motor Skills 89 (1999): 973–7.
Bullough, Edward. “Psychical Distance.” British Journal of Psychology 5 (1912): 87–117.
Burke, Edmund. A Philosophical Enquiry into the Sublime and Beautiful, ed. Boulton, James T. (London: Routledge and Kegan Paul, 1958 [1757]).
Carey, Daniel. Locke, Shaftesbury, and Hutcheson: Contesting Diversity in the Enlightenment and Beyond (Cambridge: Cambridge University Press, 2006).
Carritt, E. F.The Theory of Beauty, 5th ed. (London: Methuen, 1949 [1914]).
Cavell, Stanley. “Aesthetic Problems of Modern Aesthetics.” In Philosophy in America, ed. Black, Max (Ithaca, NY:Cornell University Press, 1965), 74–97. Reprinted in Stanley Cavell, Must We Mean What We Say? A Book of Essays (Cambridge: Cambridge University Press, 2002 [1969]), 1–43.
Cioffi, Frank. “Aesthetic Explanation and Aesthetic Perplexity.” In Essays on Wittgenstein in Honour of G. H. von Wright, Acta Philosophica Fennica 28 (1976): 417–49.
Cohen, Ted. “The Possibility of Art: Remarks on a Proposal by Dickie.” Philosophical Review 82, 1 (1973): 69–82.
Coleridge, Samuel Taylor. The Collected Works of Samuel Taylor Coleridge, 16 vols. (Princeton, NJ:Princeton University Press, 1983).
Coleridge, Samuel TaylorCollected Letters of Samuel Taylor Coleridge, ed. Griggs, Earl Leslie, 6 vols. (Oxford: Clarendon Press, 2000 [c. 1956–71]).
Collingwood, W. G.The Life of John Ruskin, 2 vols. (Boston: Houghton Mifflin, 1893).
Collingwood, R. G.Outlines of a Philosophy of Art (Oxford: Clarendon Press, 1925).
Collingwood, W. G.The Principles of Art (Oxford: Clarendon Press, 1938).
Collingwood, W. G.The Idea of History (Oxford: Clarendon Press, 1946).
Collinson, Diané. “Ethics and Aesthetics Are One.” British Journal of Aesthetics 23, 3 (1985): 266–72.
Cooper, Anthony Ashley, third Earl of Shaftesbury. Characteristicks of Men, Manners, Opinions, Times, 3 vols. (Indianapolis, IN: Liberty Fund, 2001 [1711]).
Costelloe, Timothy M.Hume’s Aesthetics: The Literature and Directions for Future Research.” Hume Studies 30, 1 (2004): 87–126.
Costelloe, Timothy M.Aesthetics and Morals in the Philosophy of David Hume (New York: Routledge, 2007).
Costelloe, Timothy M. ed. The Sublime: From Antiquity to the Present (Cambridge: Cambridge University Press, 2012).
Croce, Benedetto. L’Estetica come scienza dell’espressione e linguistica generale (Florence, Italy: Sandron, 1902); Aesthetic: As science of expression and general linguistic, rev. ed., trans. Douglas Ainslie (London: Macmillan, 1922 [1909]).
Croce, BenedettoOn the Aesthetics of John Dewey.” Journal of Aesthetics and Art Criticism 6, 1 (1948): 203–7.
Croce, BenedettoDewey’s Aesthetics and Theory of Knowledge.” Journal of Aesthetics and Art Criticism 11, 1 (1952): 1–6.
Dadlez, Eva. “Ideal Presence: How Kames Solved the Problem of Fiction and Emotion.” Journal of Scottish Philosophy 9, 1 (2011): 115–33.
Damrosch, Leopold. Fictions of Reality in the Age of Johnson and Hume (Madison: University of Wisconsin Press, 1989).
Daniels, Stephen. Humphry Repton: Landscape Gardening and the Geography of Georgian England (New Haven, CT:Yale University Press, 1999).
Danto, Arthur C.The Artworld.” Journal of Philosophy 61, 19 (1964): 571–84.
Danto, Arthur C.The Transfiguration of the Commonplace: A Philosophy of Art (Cambridge, MA: Harvard University Press, 1981).
de Bolla, Peter. The Education of the Eye: Painting, Landscape, and Architecture in Eighteenth Century Britain (Stanford, CA:Stanford University Press, 2003).
Denis, Maurice. “Definition du néo-traditionnisme.” Art et critique (August 1890); reprinted in Théories, 1890–1910, 4th ed. (Paris: Rouart et Watelin, 1920), 1–13.
Denis, Maurice, and Fry, Roger. “Cézanne-I by Maurice Denis, translated by Roger E. Fry.” The Burlington Magazine for Connoisseurs 16, 82 (January 1910): 207–19.
Dennis, John. The Critical Works of John Dennis, ed. Hooker, Edward Niles, 2 vols. (Baltimore, MD:Johns Hopkins University Press, 1939).
Descartes, René. Meditations on First Philosophy. In The Philosophical Writings of Descartes, vol. 2, trans. Cottingham, John, Stoothoff, Robert, and Murdoch, Dugald (Cambridge: Cambridge University Press, 1984).
Dewey, John. “A Comment on the Foregoing Criticisms.” Journal of Aesthetics and Art Criticism 6, 1 (1948): 207–9.
Dewey, John Art as Experience. In John Dewey: The Later Works, Volume 10: 1934, ed. Boydston, Jo Ann and Simon, Harriet Furst (Carbondale: Southern Illinois University Press, 1987 [1934]).
Dickie, George. Art and the Aesthetic: An Institutional Analysis (Ithaca, NY:Cornell University Press, 1974).
Dickie, GeorgeThe Century of Taste: The Philosophical Odyssey of Taste in the Eighteenth Century (Oxford: Oxford University Press, 1996).
Duff, William. An Essay on Original Genius; and its Various Modes of Exertion in Philosophy and the Fine Arts, particularly in Poetry (London: Edward and Charles Dilly, 1767).
Eagleton, Terry. The Ideology of the Aesthetic (Oxford: Blackwell, 1990).
Eliot, T. S. “The Place of Pater.” In The Eighteen-Eighties: Essays by Fellows of the Royal Society of Literature, ed. de la Mare, Walter (Cambridge: Cambridge University Press, 1930), 93–106.
Elton, William, ed. Aesthetics and Language (Oxford: Basil Blackwell, 1959).
Engell, James. The Creative Imagination: Enlightenment to Romanticism (Cambridge, MA: Harvard University Press, 1981).
Ferry, Luc. Homo Aestheticus: The Invention of Taste in the Democratic Age, trans. de Loaizia, Robert (Chicago: Chicago University Press, 1993).
Freud, Sigmund. Introductory Lectures on Psychoanalysis. The Standard Edition (delivered 1915–17), trans. Strachey, James (New York: W. W. Norton, 1989 [1966]).
Fry, Roger E.Vision and Design (London: Chatto and Windus, 1920).
Croce, BenedettoTransformations: Critical and Speculative Essays on Art (London: Chatto and Windus, 1926).
Fry, Roger E.Reflections on British Paintings (New York: Macmillan, 1934).
Fry, Roger E.Last Lectures by Roger Fry (New York: MacMillan, 1939).
Fry, Roger E. “A New Theory of Art,” The Nation, March 7, 1914, 937–9. Reprinted in A Roger Fry Reader, ed. Reed, Christopher (Chicago: University of Chicago Press, 1996), 158–62.
Furniss, Tom. Edmund Burke’s Aesthetic Ideology. Language, Gender, and Political Economy in Revolution (Cambridge: Cambridge University Press, 1993).
Gautier, Pierre Jules Théophile. Mademoiselle de Maupin, trans. Constantine, Helen (London: Penguin, 2005 [1835]).
Gerard, Alexander. An Essay on Genius (London: W. Strahan; Edinburgh: W. Creech, 1774).
Gerard, AlexanderAn Essay on Taste with Three Dissertations on the same subject by Mr. De Voltaire, Mr. D’ Alembert, F.R.S. Mr. Montesquieu (London: A. Millar; Edinburgh: A. Kincaid and J. Bell, 1759).
Gerard, AlexanderAn Essay on Taste. To Which Is Now Added Part Fourth, Of the Standard of Taste; with Observations Concerning the Imitative Nature of Poetry, 3rd ed. (Edinburgh: J. Bell and W. Creech; London: T. Cadell, 1780).
Gerard, AlexanderAn Essay on Genius, ed. Fabian, Bernhard (Munich: Wilhelm Fink, 1966 [1774]).
Gilpin, William. Observations, relative chiefly to Picturesque Beauty, Made in the Year 1772, On Several Parts of England; particularly the Mountains, and Lakes of Cumberland, and Westmoreland, 2 vols. (London: R. Blamire, 1786).
Gilpin, WilliamRemarks on Forest Scenery, and Other Woodland Views, Relative Chiefly to Picturesque Beauty Illustrated by the Scenes of New Forest in Hampshire. In Three Books (London: R. Blamire, 1791).
Gilpin, WilliamThree Essays: On Picturesque Beauty; On Picturesque Travel; and On Sketching Landscape to which is added a poem, On Landscape Painting, 2nd ed. (London: R. Blamire, 1794 [1792]).
Gilpin, WilliamObservations on the River Wye and Several Part of South Wales Relative Chiefly to Picturesque Beauty made in the summer of the year 1770, 5th ed. (London: A. Strahan, 1800 [1782]).
Gracyk, Theodore A.Rethinking Hume’s Standard of Taste.” Journal of Aesthetics and Art Criticism 52, 2 (1994): 169–82.
Grant, J.On Reading Collingwood’s Principles of Art.” Journal of Aesthetics and Art Criticism 46, 2 (1987): 239–48.
Grayling, A. C.The Quarrel of the Age: The Life and Times of William Hazlitt (London: Weidenfeld and Nicolson, 2000).
Guyer, Paul. “The Origins of Modern Aesthetics: 1711–35.” In The Blackwell Guide to Aesthetics, ed. Kivy, Peter (Oxford: Blackwell, 2004). Reprinted in Paul Guyer, Values of Beauty. Historical Essays in Aesthetics (Cambridge: Cambridge University Press, 2005), 3–36.
Guyer, PaulA History of Aesthetics, 3 vols. (Cambridge: Cambridge University Press, forthcoming).
Halberstadt, William H.A Problem in Hume’s Aesthetics.” Journal of Aesthetics and Art Criticism 30, 2 (1971): 209–11.
Halliwell, Stephen. The Poetics of Aristotle: Translation and Commentary (Chapel Hill: University of North Carolina Press, 1985).
Hamilton, Sir William. Works of Sir William Hamilton, ed. Mansel, H. L. and Veitch, John, 7 vols. (London: William Blackwood and Sons, 1828–1960).
Hammermeister, Kai. The German Aesthetic Tradition (Cambridge: Cambridge University Press, 2002).
Hampshire, Stuart. “Logic and Appreciation.” In Aesthetics and Language, ed. Elton, William (Oxford: Blackwell, 1959), 161–9.
Hanslick, Eduard. Vom Musikalisch-Schönen: Ein Beitrag zur Revision der Ästhetik in der Tonkunst (Leipzig, Germany: Weigel, 1854).
Hazlitt, William. The Complete Works of William Hazlitt, ed. Howe, P. P., 21 vols. (London: J. M. Dent, 1930–4).
Hazlitt, WilliamThe Selected Writings of William Hazlitt, ed. Wu, Duncan, 9 vols. (London: Pickering and Chatto, 1998).
Heath, Malcolm. “Longinus and the Ancient Sublime.” In The Sublime: From Antiquity to the Present, ed. Costelloe, Timothy M. (Cambridge: Cambridge University Press, 2012), 11–23.
Hilton, Tim. John Ruskin: The Early Years (New Haven, CT:Yale University Press, 1985).
Hilton, TimJohn Ruskin: The Later Years (New Haven, CT:Yale University Press, 2000).
Hinde, Thomas. Capability Brown: The Story of a Master Gardener (New York: W. W. Norton, 1986).
Hipple, Walter J., Jr. The Beautiful, The Sublime, & The Picturesque in Eighteenth-Century British Aesthetic Theory (Carbondale: Southern Illinois University Press, 1957).
Hogarth, William. The Analysis of Beauty, ed. Paulson, Ronald (New Haven, CT:Yale University Press, 1997 [1753]).
Home, Henry, Lord Kames. Elements of Criticism. The Sixth Edition. With the Author’s Last Corrections and Additions, 2 vols. (Indianapolis, IN: Liberty Fund, 2005 [1785; 1st ed. 1762]).
Home, Henry, Lord KamesEssays on the Principles of Morality and Natural Religion. Corrected and Improved, in a Third Edition. Several Essays Added Concerning the Proof of a Deity (Indianapolis, IN: Liberty Fund, 2005 [1779; 1st ed. 1751]).
Howe, Sarah. “General and Invariable Ideas of Nature: Joshua Reynolds and His Critical Descendants.” English 54 (2005): 1–13.
Hume, David. The Letters of David Hume, ed. Greig, J. Y. T., 2 vols. (Oxford: Clarendon Press, 1932).
Hume, DavidThe History of England, From the Invasion of Julius Caesar to the Revolution in 1688, with the author’s last corrections and improvements, 6 vols. (Indianapolis, IN: Liberty Fund, 1983).
Hume, DavidEssays: Moral, Political, and Literary, ed. Miller, Eugene F. (Indianapolis, IN: Liberty Fund, 1985).
Hume, DavidAn Enquiry Concerning the Principles of Morals, ed. Beauchamp, Tom (Oxford: Oxford University Press, 1998).
Hume, DavidA Treatise of Human Nature, ed. Norton, David Fate and Norton, Mary (Oxford: Oxford University Press, 2001).
Hussey, Christopher. The Picturesque: Studies in a Point of View (London: Putnam, 1927; repr., Hamden, CT: Archon, 1967).
Hutcheson, Francis. An Essay on the Nature and Conduct of the Passions and Affections, with Illustrations on the Moral Sense (Indianapolis, IN: Liberty Fund, 2002 [1728]).
Hutcheson, FrancisAn Inquiry into the Original of Our Ideas of Beauty and Virtue in Two Treatises, 2nd ed. (Indianapolis, IN: Liberty Fund, 2004 [1726]).
Janik, Alan, and Toulmin, Stephen. Wittgenstein’s Vienna (New York: Simon and Shuster, 1973).
Jastrow, Joseph. “The Mind’s Eye.” Popular Science Monthly 54 (1899): 299–312.
Jastrow, JosephFact and Fable in Psychology (Boston: Houghton Mifflin, 1900).
Johnson, Samuel. The Yale Edition of the Works of Samuel Johnson, 18 vols. (New Haven, CT:Yale University Press, 1958–2004).
Jones, Peter. Hume’s Sentiments (Edinburgh: Edinburgh University Press, 1982).
Kant, Immanuel. Kants gesammelte Schriften. Königlichen Preussischen (later Deutschen) Akademie der Wissenschaften, 29 vols. (Berlin: Reimer [later de Gruyter], 1900–).
Kant, ImmanuelCritique of Pure Reason, trans. Guyer, Paul and Wood, Alan E. (Cambridge: Cambridge University Press, 1999 [1781/1787]).
Kant, ImmanuelCritique of the Power of Judgment, ed. Guyer, Paul, trans. Guyer, Paul and Matthews, Eric (Cambridge: Cambridge University Press, 2000 [1790]).
Kant, ImmanuelNotes and Fragments, ed. Guyer, Paul, trans. Bowman, Curtis, Guyer, Paul, and Rauscher, Frederick (Cambridge: Cambridge University Press, 2005).
Keats, John. The Poetical and Other Writings of John Keats, ed. Buxton Forman, H., rev. Forman, Maurice Buxton, 8 vols. (New York: Phaeton Press, 1970).
Kelley, Theresa M.Wordsworth’s Revisionary Aesthetics (Cambridge: Cambridge University Press, 1988).
Kemp, Gary. “The Croce-Collingwood Theory as Theory.” Journal of Aesthetics and Art Criticism 61, 2 (2003): 171–93.
Kennick, W. E.Does Traditional Aesthetics Rest on a Mistake?Mind, New Series 67, 267 (1958): 317–34.
Kivy, Peter. “Hume’s Neighbour’s Wife: An Essay on the Evolution of Hume’s Aesthetics.” British Journal of Aesthetics 23, 3 (1983): 195–208.
Kivy, PeterThe Seventh Sense: Francis Hutcheson and Eighteenth Century British Aesthetics, 2nd ed. (Oxford: Oxford University Press, 2003 [1976]).
Kivy, Peter “Introduction: Aesthetics Today.” In The Blackwell Guide to Aesthetics, ed. Kivy, Peter (Oxford: Blackwell, 2004), 1–11.
Kivy, Peter “Reid’s Philosophy of Art.” In The Cambridge Companion to Thomas Reid, ed. Cuneo, Terence and Woudenberg, René van (Cambridge: Cambridge University Press, 2004), 267–88.
Knight, Richard Payne. The Landscape, a Didactic Poem in Three Books. Addressed to Uvedale Price, Esq., 2nd ed. (London: G. Nicol, 1795 [1794]).
Knight, Richard PayneAn Analytic Inquiry into the Principles of Taste, 4th ed. (London: T. Payne and J. White, 1808 [1805]).
Kristeller, P. O.The Modern System of the Arts: A Study in the History of Aesthetics Part I.” Journal of the History of Ideas 12, 4 (1951): 496–527.
Kristeller, P. O.The Modern System of the Arts: A Study in the History of Aesthetics Part II.” Journal of the History of Ideas 13, 1 (1952): 17–46.
Kuhn, Thomas. The Structure of Scientific Revolutions (Chicago: University of Chicago Press, 1962).
Landow, George P.The Aesthetic and Critical Theories of John Ruskin (Princeton, NJ:Princeton University Press, 1971).
Le Trésor de la Lange français informatisé, atilf.atilf.fr/tlf.htm, accessed July 12, 2011.
Lock, F. P.Edmund Burke. Volume I, 1730–1784 (Oxford: Clarendon Press, 1998).
Locke, John. An Essay Concerning Human Understanding, ed. Nidditch, Peter H. (Oxford: Oxford University Press, 1975 [1689]).
Mandelbaum, Maurice. “Family Resemblances and Generalization Concerning the Arts.” American Philosophical Quarterly 2, 3 (1965): 219–28.
Mandeville, Bernard. The Fable of the Bees or Private Vices, Publick Benefits, 2 vols. (Indianapolis, IN: Liberty Fund, 1988 [1732; 1st ed. 1714]).
Margolis, Joseph. “Mr. Weitz and the Definition of Art.” Philosophical Studies 9, 5/6 (1958): 88–95.
Margolis, JosephRecent Work in Aesthetics.” American Philosophical Quarterly 2, 3 (1965): 182–92.
Mill, John Stuart. Collected Works of John Stuart Mill, ed. Robson, John M. and Stillinger, Jack, 33 vols. (Toronto: University of Toronto Press, 1963–).
Monk, Ray. Wittgenstein: The Duty of Genius (London: Free Press, 1990).
Monk, Samuel H.The Sublime: A Study of Critical Theories in XVIII-Century England (New York: Modern Language Association of American, 1935).
Monsman, Gerald. Walter Pater (Boston: Twayne, 1977).
Moore, G. E.Wittgenstein’s Lectures in 1930–33.” Mind 64, 253 (1955): 1–27. Reprinted in G. E. Moore, Philosophical Papers (London: Allen and Unwin, 1959), 252–324.
Moore, G. E.Principia Ethica, rev. ed. (Cambridge: Cambridge University Press, 1993 [1903]).
Mossner, Ernest Campbell.The Life of David Hume, 2nd ed. (Oxford: Clarendon Press, 1980 [1954]).
Motion, Andrew. Keats (London: Faber and Faber, 1999).
Nabholtz, John R.Wordsworth’s Guide to the Lakes and the Picturesque Tradition.” Modern Philology 61, 4 (1964): 288–97.
Neill, Alex. “Yanal and Others on Hume and Tragedy.” Journal of Aesthetics and Art Criticism 50, 2 (1992): 151–4.
Neill, AlexHume’s Singular Phænomenon.” British Journal of Aesthetics 39, 2 (1999): 112–25.
Owen, W. J. B.Wordsworth as Critic (Toronto: University of Toronto Press, 1969).
Oxford English Dictionary ().
Packer, Mark. “Dissolving the Paradox of Tragedy.” Journal of Aesthetics and Art Criticism 47, 3 (1989): 211–19.
Passmore, J. A. “The Dreariness of Aesthetics.” In Aesthetics and Language, ed. Elton, William (Oxford: Blackwell, 1959), 36–55.
Pater, Walter. The Renaissance; Studies in Art and Poetry. The 1893 Text, ed. Hill, Donald L. (Berkeley: University of California Press, 1980).
Pater, WalterThe Renaissance; Studies in Art and Poetry, ed. Philips, Adam (Oxford: Oxford University Press, 1986 [1873]).
Paton, Margaret. “Hume on Tragedy.” British Journal of Aesthetics 13, 2 (1973): 121–32.
Peacock, Tomas Love. The Works of Thomas Love Peacock, ed. Brett-Smith, H. F. B. and Jones, C. E., 10 vols. (London: Constable and Co., 1934).
Pepper, Stephen. “Some Questions on Dewey’s Aesthetics.” In The Philosophy of John Dewey, ed. Schilpp, Paul A. (Evanston, IL: Northwestern University Press, 1939), 369–90.
Plato, . The Republic. In Plato. Complete Works, ed. Cooper, John M. (Indianapolis, IN: Hackett, 1997).
Plotinus, . “On Beauty.” In Plotinus, Greek text with English translation by A. H. Armstrong, 7 vols. (Cambridge, MA: Harvard University Press; Loeb Classical Library, 1968–88), vol. 1.
Pope, Alexander. The Twickenham Edition of the Poems of Alexander Pope, 6 vols. (London: Methuen, 1951).
Potkay, Adam. The Story of Joy: From the Bible to Late Romanticism (Cambridge: Cambridge University Press, 2007).
Potkay, AdamWordsworth and the Ethics of Things.” Proceedings of the Modern Language Association 123, 2 (2008): 390–404.
Potkay, AdamWordsworth’s Ethics (Baltimore, MD: Johns Hopkins University Press, 2012).
Price, Sir Uvedale. Essays on the Picturesque, As Compared with the Sublime and the Beautiful, and On the Use of Studying Pictures, for the Purpose of Improving Real Landscape, 3 vols. (London: J. Mawman, 1810).
Quine, Willard Van Orman. “Main Trends in Recent Philosophy: Two Dogmas of Empiricism.” Philosophical Review 60, 1 (1951): 20–43. Reprinted in From a Logical Point of View: Nine Logical-Philosophical Essays, 2nd rev. ed. (Cambridge, MA: Harvard University Press, 1980 [1953]), 20–46.
Railton, Peter. “Aesthetic Value, Moral Value, and Naturalism.” In Aesthetics and Ethics: Essays at the Intersection, ed. Levinson, Jerrold (Cambridge: Cambridge University Press, 1998), 59–105.
Raphael, D. D. “The Impartial Spectator.” In Essays on Adam Smith, ed. Skinner, Andrew S. and Wilson, Thomas (Oxford: Clarendon Press, 1975), 83–99.
Reid, Louis Arnauld. A Study of Aesthetics (Allen and Unwin, 1931).
Reid, Thomas. Thomas Reid’s Lectures on the Fine Arts: Transcribed from the Original Manuscript with an Introduction and Notes, ed. Kivy, Peter (The Hague: Martinus Nijhoff, 1973).
Reid, ThomasEssays on the Intellectual Powers of Man (University Park: Pennsylvania State University Press, 2002 [1785]).
Repton, Humphrey. Works: The Landscape Gardening and Landscape Architecture of the Late Humphry Repton, Esq. Being His Entire Works on These Subjects. A New Edition: with an Historical and Scientific Introduction, a Systematic Analysis, a Biographical Notice, Notes, and a Copious Alphabetical Index. By J. C. Loudon, F.L.S. (London: Longman & Co.; Edinburgh: A. & C. Black, 1840).
Reynolds, Joshua. Discourses on Art, ed. Wark, Robert R. (New Haven, CT:Yale University Press, 1997 [1797]).
Reynolds, Joshua. Discourses Delivered to the Students of the Royal Academy by Sir Joshua Reynolds, with Introduction and Notes by Roger Fry (London: Seely, 1905).
Richards, A. I.Principles of Criticism (London: Routledge and Kegan Paul, 1924).
Rosenberg, John D.The Darkening Glass: A Portrait of Ruskin’s Genius (New York: Columbia University Press, 1986).
Ruskin, John. The Complete Works of John Ruskin (Library Edition), ed. Cook, E. T. and Wedderburn, Alexander, 39 vols. (London: George Allen, 1903–12).
Ryan, Vanessa L.The Physiological Sublime: Burke’s Critique of Reason.” Journal of the History of Ideas 62, 2 (2001): 265–79.
Santayana, George. Persons and Places: Fragments of Autobiography, ed. Holzberger, William G. and Saatkamp, Herman J. Jr., The Critical Edition of the Works of George Santayana, vol. 1 (Cambridge, MA: MIT Press, 1986 [1944–53]).
Santayana, George. The Sense of Beauty: Being the Outlines of Aesthetic Theory, ed. Holzberger, William G. and Saatkamp, Herman J. Jr., The Critical Edition of the Works of George Santayana, vol. 2 (Cambridge, MA: MIT Press, 1988 [1896]).
Schneider, Elisabeth. The Aesthetics of William Hazlitt: A Study of the Philosophical Basis of His Criticism (New York: Octagon, 1969 [1933]).
Schopenhauer, Arthur. The World as Will and Representation, trans. Payne, E. F. J., 2 vols. (New York: Dover, 1969).
Sclafani, Richard. “‘Art’ and Artifactuality.” Southwestern Journal of Philosophy 1 (1970): 103–10.
Shapiro, Gary. “The Pragmatic Picturesque: The Philosophy of Central Park.” In Gardening: Philosophy for Everyone. Cultivating Wisdom, ed. O’Brien, Dan (Oxford: Wiley-Blackwell, 2010), 148–60.
Sharpe, William. A Dissertation upon Genius: or, an attempt to shew, that the several instances of distinction, and degrees of superiority in the human genius are not fundamentally, the result of nature, but the effect of acquisition (London: C. Bathurst, 1755).
Shearer, Edna Astor. “Wordsworth and Coleridge Marginalia in a Copy of Richard Payne Knight’s Analytic Inquiry into the Principles of Taste.” Huntington Library Quarterly 1, 1 (1937): 63–99.
Shelley, James. “Hume’s Double Standard of Taste.” Journal of Aesthetics and Art Criticism 52, 4 (1994): 437–45.
Shelley, JamesRule and Verdict.” Journal of Aesthetics and Art Criticism 53, 3 (1995): 319–20.
Shelley, James “British Aesthetics in the Eighteenth Century.” Stanford Encyclopedia of Philosophy, ed. Edward N. Zalta, plato.stanford.edu/entries/aesthetics-18th-british (2006; rev. 2010), accessed May 15, 2007.
Shelley, Percy Bysshe. The Complete Works of Percey Bysshe Shelley, ed. Ingpen, Roger and Peck, Walter E., 10 vols. (New York: Gordain Press, 1965).
Shelley, Percy ByssheShelley’s Poetry and Prose, ed. Reiman, Donald H. and Fraistat, Neil, 2nd ed. (New York: W. W. Norton, 2002).
Shiner, Roger. “Wittgenstein on the Beautiful, the Good and the Tremendous.” British Journal of Aesthetics 14, 3 (1974): 258–71.
Sibley, Frank. Approach to Aesthetics, ed. Benson, John, Redfern, Betty, and Cox, Jeremy Roxbee (Oxford: Clarendon Press, 2001).
Sidney, Sir Philip. An Apologie for Poetry (London: Henry Olney, 1595).
Sidney, Sir PhilipThe Defense of Poesie (London: William Ponsonby, 1595).
Sidney, Sir PhilipMiscellaneous Prose of Sir Philip Sidney, ed. Duncan-Jones, Katherine and Van Dorsten, Jan (Oxford: Clarendon Press, 1973).
Simoni, Frederic S.Benedetto Croce: A Case of International Misunderstanding.” Journal of Aesthetics and Art Criticism 11, 1 (1952): 7–14.
Smith, Adam. Essays on Philosophical Subjects, with Dugald Stewart’s “Account of Adam Smith,” ed. Wightman, W. P. D., Bryce, J. C., and Ross, I. S. (Oxford: Oxford University Press, 1980). In The Glasgow Edition of the Works and Correspondence of Adam Smith, ed. J. C. Bryce et al., 7 vols. (Oxford: Oxford University Press, 1978–), vol. 3.
Spalding, Frances. Roger Fry: Art and Life (Berkeley: University of California Press, 1980).
Spenser, Herbert. The Works of Edmund Spenser, ed. Greenlaw, Edwin et al., 9 vols. (Baltimore, MD:Johns Hopkins University Press).
Spinoza, Baruch. Ethics. In The Complete Works, ed. Morgan, Michael L., trans. Shirley, Samuel (Indianapolis, IN: Hackett, 2002).
Stevenson, Charles L.On ‘What is a Poem?’Philosophical Review 66, 3 (1957): 329–62.
Stewart, Dugald. The Collected Works of Dugald Stewart, ed. Hamilton, Sir William, 11 vols. (Edinburgh: Thomas Constable and Co.; London: Hamilton, Adams and Co., 1854–60).
Stolnitz, Jerome. “Notes on Analytic Philosophy and Aesthetics.” British Journal of Aesthetics 3, 3 (1961): 210–22.
Stolnitz, JeromeOn the Origins of ‘Aesthetic Disinterestedness.’Journal of Aesthetics and Art Criticism 20, 2 (1961): 131–44.
Stolnitz, JeromeOn the Significance of Lord Shaftesbury in Modern Aesthetic Theory.” Philosophical Quarterly 11, 43 (1961): 97–113.
Swinburne, Algemon Charles. William Blake: A Critical Essay (London: John Camden Hotten, 1868).
Taylor, William. British Synonyms Discriminated (London: W. Pople, 1813).
Temple, Sir William. The Works of Sir William Temple, to which is prefixed, the life and character of the author, considerably enlarged, 4 vols. (London: F. C. and J. Rivington, 1814 [1754]).
Templeman, William D.Sir Joshua Reynolds on the Picturesque.” Modern Language Notes 47, 7 (1932): 446–8.
Townsend, Dabney. Hume’s Aesthetic Theory: Taste and Sentiment (New York: Routledge, 2001).
Turner, Roger. Capability Brown and the Eighteenth-Century English Landscape (New York: Rizzoli International, 1985).
Valihora, Karen. Austen’s Oughts: Judgment after Locke and Shaftesbury (Newark: University of Delaware Press, 2010).
Vico, Giambattista. The “New Science” of Giambattista Vico, unabridged translation of the third edition (1744) with the addition of “Practic of the New Science,” trans. Bergin, Thomas Goddard and Fisch, Max Harold (Ithaca, NY:Cornell University Press, 1984).
Walton, Kendall. “Categories of Art.” Philosophical Review 79, 3 (1970): 334–67.
Wardle, R. M.Hazlitt (Lincoln: University of Nebraska Press, 1971).
Weiskel, Thomas. The Romantic Sublime: Studies in the Structure and Psychology of Transcendence (Baltimore, MD:Johns Hopkins University Press, 1976).
Weitz, Morris. “The Role of Theory in Aesthetics.” Journal of Aesthetics and Art Criticism 15, 1 (1956): 27–35.
Wieand, Jeffrey. “Hume’s Two Standards of Taste.” Philosophical Quarterly 34, 135 (1984): 129–42.
Wieand, JeffreyHume’s True Judges.” Journal of Aesthetics and Art Criticism 53 (1995): 318–19.
Whichcote, Benjamin. Select Sermons, with a preface by Anthony Ashley Cooper, Third Earl of Shaftesbury (London: Awnsham and Churchill, 1698).
Whistler, James McNeill. Whistler on Art: Selected Letters and Writings 1849–1903 of James McNeill Whistler, ed. Thorp, Nigel (Manchester, UK: Carcanet Press, 1994).
Wilde, Oscar. Oscar Wilde: The Major Works, ed. Murray, Isobel (Oxford: Oxford University Press, 1989).
Willis, Peter. Charles Bridgeman and the English Landscape Garden (Newcastle-upon-Tyne, UK: Elysium Press, 2002 [1977]).
Wittgenstein, Ludwig. Philosophische Untersuchungen/Philosophical Investigations, trans. Anscombe, G. E. M. (Oxford: Basil Blackwell, 1958 [1953]).
Wittgenstein, LudwigThe Blue and Brown Books. Preliminary Studies for the Philosophical Investigations (Oxford: Basil Blackwell, 1958).
Wittgenstein, LudwigNotebooks 1914–1916, trans. Anscombe, G. E. M. (Oxford: Basil Blackwell, 1961).
Wittgenstein, LudwigA Lecture on Ethics.” Philosophical Review 74, 1 (1965): 3–12.
Wittgenstein, LudwigLectures and Conversations on Aesthetics, Psychology, and Religious Belief. Compiled from Notes taken by Yorrick Smythies, Rush Rhees and James Taylor, ed. Barrett, Cyril (Berkeley: University of Californian Press, 1967).
Wittgenstein, LudwigTractatus Logico-Philosophicus, trans. Pears, D. F. and McGuinness, B. F. (London: Routledge and Kegan Paul, 1974 [1961]).
Wittgenstein, LudwigVermischte Bermerkungen/Culture and Value, ed. von Wright, G. H., trans. Winch, Peter (Oxford: Basil Blackwell, 1977).
Woodring, Carl. “The New Sublimity in ‘Tintern Abbey.’” In The Evidence of the Imagination: Studies in the Interaction between Life and Art in English Romantic Literature, ed. Reiman, Donald H., Jaye, Michael C., and Bennett, Betty T. (New York: New York University Press, 1978). Reprinted in Critical Essays on William Wordsworth, ed. George H. Gilpin (Boston: G. K. Hall, 1990), 11–23.
Wordsworth, William.The Prose Works of William Wordsworth, ed. Owen, W. J. B. and Smyser, Jane Washington, 3 vols. (Oxford: Clarendon Press, 1974).
Wordsworth, WilliamWilliam Wordsworth, The Prelude 1799, 1805, 1850, ed. Wordsworth, Jonathan, Abrams, M. H., and Hill, Stephen (New York: W. W. Norton, 1979).
Wordsworth, WilliamDescriptive Sketches, by William Wordsworth, ed. Birdsall, Eric and Zall, Paul M. (Ithaca, NY: Cornell University Press, 1984).
Wordsworth, WilliamLyrical Ballads and Other Poems, 1797–1800 by William Wordsworth, ed. Butler, James A. and Green, Karen (Ithaca, NY: Cornell University Press, 1993).
Wordsworth, WilliamThe Excursion, by William Wordsworth, ed. Bushell, Sally, Butler, James A., Jaye, Michael C., and García, David (Ithaca, NY: Cornell University Press, 2001), 157.
Wordsworth, WilliamLyrical Ballads, 2nd ed., ed. Mason, Michael (London: Longman, 2007 [1992]).
Wordsworth, William, and Wordsworth, Dorothy. The Letters of William and Dorothy Wordsworth, 8 vols. (Oxford: Clarendon Press, 1967–93).
Worrall, David. “Agrarians against the Picturesque: Ultra-radicalism and the Revolutionary Politics of Land.” In The Politics of the Picturesque, ed. Copley, Stephen and Garside, Peter (Cambridge: Cambridge University Press, 1994), 240–60.
Wu, Duncan. Wordsworth’s Reading 1770–1799 (Cambridge: Cambridge University Press, 1993).
Wu, DuncanWordsworth’s Reading 1800–1815 (Cambridge: Cambridge University Press, 1993).
Wu, DuncanWilliam Hazlitt: The First Modern Man (Oxford: Oxford University Press, 2008).
Young, Edward. Conjectures on Original Composition. In a Letter to the Author of Sir Charles Grandison (London: A Millar, and R. and J. Dodsley, 1759).
Zangwill, Nick. “Hume, Taste, and Teleology.” Philosophical Papers 23, 1 (1994): 1–18.
Zerilli, Linda M. G.Signifying Woman. Culture and Chaos in Rousseau, Burke, and Mill (Ithaca, NY:Cornell University Press, 1994).
Ziff, Paul. “The Task of Defining a Work of Art.” Philosophical Review 62, 1 (1953): 58–78.
Zuckert, Rachel. “The Associative Sublime: Gerard, Kames, Alison, and Stewart.” In The Sublime: From Antiquity to the Present, ed. Costelloe, Timothy M. (Cambridge: Cambridge University Press, 2012), 64–76.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.