Book contents
- W.G. Sebald in Context
- W.G. Sebald in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Note on Text
- Chronology
- Abbreviations
- Works by W.G. Sebald
- Part I Biographical Aspects
- Part II The Literary Works
- Part III Themes and Influences
- Chapter 17 Critical Writings
- Chapter 18 Minor Writing
- Chapter 19 Franz Kafka
- Chapter 20 Literary Predecessors
- Chapter 21 Walter Benjamin
- Chapter 22 Philosophical Models
- Chapter 23 History
- Chapter 24 Polemics
- Chapter 25 Holocaust
- Chapter 26 Photography
- Chapter 27 Paintings and Ekphrasis
- Chapter 28 Media Theory
- Chapter 29 Travel Writing
- Chapter 30 Ecocriticism and Animal Studies
- Part IV Reception and Legacy
- Further Reading
- Index
Chapter 25 - Holocaust
from Part III - Themes and Influences
Published online by Cambridge University Press: 24 August 2023
- W.G. Sebald in Context
- W.G. Sebald in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Acknowledgements
- Note on Text
- Chronology
- Abbreviations
- Works by W.G. Sebald
- Part I Biographical Aspects
- Part II The Literary Works
- Part III Themes and Influences
- Chapter 17 Critical Writings
- Chapter 18 Minor Writing
- Chapter 19 Franz Kafka
- Chapter 20 Literary Predecessors
- Chapter 21 Walter Benjamin
- Chapter 22 Philosophical Models
- Chapter 23 History
- Chapter 24 Polemics
- Chapter 25 Holocaust
- Chapter 26 Photography
- Chapter 27 Paintings and Ekphrasis
- Chapter 28 Media Theory
- Chapter 29 Travel Writing
- Chapter 30 Ecocriticism and Animal Studies
- Part IV Reception and Legacy
- Further Reading
- Index
Summary
The essay discusses the theme of the Holocaust in Sebald’s texts, though not in the pre-established framework of ‘Holocaust literature’. Its aim is rather to explore a different set of questions: Whom did Sebald choose to write about? What determined his choice and what stories do his characters tell? The two examples examined in this context are the painter Max Ferber and the architectural historian Jacques Austerlitz. The essay argues that the protagonists mirror Sebald’s biographic quests to come to terms with the Nazi past and the legacy of the Holocaust. This explains, for instance, why the Jewish characters Sebald invented had hazy, all-but-forgotten Jewish origins and could know no more about themselves than Sebald knew about them: when he grew up, there was no memory of the Jews in post-war Germany.
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- W. G. Sebald in Context , pp. 222 - 230Publisher: Cambridge University PressPrint publication year: 2023