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Published online by Cambridge University Press: 31 August 2024
The Conclusion explores the many subsequent images of Olearius’ work as an illustration of how visuality changed in the second half of the seventeenth century, marking a fitting end to our study of how the visual was first introduced into print culture. It concludes with reflections on visual culture in Muscovy of this same era, and the lack of crossfertilization between Russian and European visual art.
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