Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-03T08:16:09.013Z Has data issue: false hasContentIssue false

Chapter 8 - No Demand No Supply: Documentary Theater Transforming the Mainstream Media

Published online by Cambridge University Press:  04 February 2022

Get access

Summary

It is a very confident assertion by practitioners that verbatim theatre displaces mainstream media as the form of documentation most likely to deliver “truth”. According to these practitioners, the central purpose of verbatim work has gone well beyond the staging of “hidden voices.”

–Brown and Wake

Early April 2016, like many Lebanese, I woke up to the news of the special operation that the Lebanese security forces did to bust a human trafficking network and save 75 Syrian women imprisoned in two brothels east of Beirut. The news shocked me to the core; for months, I could not forget the women and the suffering they endured. In 2017 I decided to put the stories of the women survivors on stage. In an ultimate objective to retell the stories of the 75 rescued women, so they do not fall into the Lebanese collective amnesia, I embarked on a research journey that led me to discover that I was essentially telling the stories of many other forgotten women in the world of prostitution.

This chapter reflects on the process and methodology of making the documentary performance No Demand No Supply: A Rereading of Lebanon's 2016 Sex Trafficking Scandal. By reflecting on the content and context of the performance, I argue that documentary theater has the potential to not only displace the mainstream media in telling the “truth” but also to influence the latter in a certain direction and ultimately alter our social consciousness.

The Play in Context

On March 27, 2016, the inquisitorial commission in Mount Lebanon raided Chez Maurice and Silver, two brothels in Jounieh area, east of Beirut, and14 saved 75 Syrian refugee women from what became known later as the largest sex trafficking network in the history of Lebanon. The story gained huge media attention as the women told horrifying stories about the torture and abuse they suffered at the hands of one of the lead figures of the network, which was making more than one million dollars a month according to the police reports. A few weeks after the uncovering of the story, the media lost interest in it, and slowly it started fading into oblivion.

Type
Chapter
Information
Theater in the Middle East
Between Performance and Politics
, pp. 143 - 158
Publisher: Anthem Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×